Moving Past "Not Your Grandmother's Knitting"

 

Author Joan McGowan-Michael's mother, who taught her how to knit (photo from the book My Grandmother's Knitting)

After I posted It’s Not Your Grandmother’s Crafting (or Is It?), I was prepared to get impassioned responses. But I wasn’t as prepared for the sheer knowledge of history, marketing trends, and feminism that was brought to the table. Yet again, I am amazed at the intellect and insight of crafters—into all aspects of life. My post barely scratched the surface of it all! So, to recap, I thought I’d break down some of the most-discussed issues.

Age and Gender

On the surface, the most offensive thing about “Not Your Grandmother’s Knitting” is its implied ageism and sexism. We often see an “insinuated sneer” towards women’s skills, so denigrating our grandmothers’ knitting is a touchy subject. Couple that with the fact that our culture has a huge obsession with youth, proverbially tossing older women to the side, and this kind of phrase does more harm than good in its intended audience.

Lazy Marketing

Hey, I learned something!  Oldsmobile gets the credit for coining the “Not Your” turn of phrase in the 1980s with “Not Your Father’s Oldsmobile.” Since then, it’s become part of our lexicon. And, let’s face it, Don Draper would call this very lazy copywriting. (Remember his reaction to “The cure for the common breakfast cereal”?) For marketers, it’s the easiest way to say “Hey, this this is super hip and cool!” which, when you put it that way, doesn’t sound hip and cool. Some astute readers pointed out that this is basically your father’s marketing campaign, which is as ironic as it gets.

Consumerism

Well, this goes hand in hand with marketing. The whole idea is to sell something as novel, and therefore necessary. An “out with the old, in with the new’’ mentality. But as a culture obsessed with material goods, this mentality just feeds thoughtless consumerism.

Youth Culture

Once again, we return to Mad Men. At this point in the show, the old guard is starting to look a little, well, old. The “Youthquake” of the 60s has corporations turning its eye to what the kids what, i.e, whatever is hip and new. Advertising has never really let go of this youth obsession, hence the perennial popularity of “Not Your Grandma’s . . . .”

Sex

Several commenters pointed out that a label of “not your grandma’s knitting” connoted for them risqué, NSFW patterns. Which is again ironic, seeing as many current grandmothers came of age in the “post-pill/pre-AIDS” era (this is my new favorite phrase). Basically, some grandmothers could tell us things that would put our knitted g-strings to shame.

Trends

Some readers felt that there was a point in the mid 20th century when knitting did indeed turn ugly. Acrylic tissue box cozies, that sort of thing. If you’re in your 20s or 30s, perhaps this is your impression of knitting, because that’s the type of knitting your grandmother might have done. In defense of “Not Your Grandmother’s Knitting,” maybe the phrase gave knitting the fresh face it needed to interest a new generation. Of course, this is all trend-based: our granddaughters could think the Stitch 'N' Bitch generation of knitting is ugly themselves. And so trends go!

Family Bonds

The overwhelming theme in the responses was personal family history. I loved reading the warm memories of everyone’s Nanas. Yet another reader pointed out that most young knitters she knows learned how to knit from the internet, not from family members. For what it’s worth—I learned to knit from a lady in a yarn shop, and then supplemented my knowledge with the Stitch ‘N’ Bitch books. However, it’s worth noting that the medium for learning (whether in person or through the internet or a book) doesn’t change the skills at hand. Knitting is knitting. The woman at the yarn shop probably learned from her grandmother or mother, and Debbie Stoller (author of Stitch ‘N’ Bitch) writes often of the knitting tradition in her family. So the common bond remains.

The Next Generation of Crafters

To wrap all of this up, I wonder how we should present knitting (and crafting in general) to the next generation. It’s clear that the phrase “Not Your Grandmother’s Knitting” needs to go. But what should replace it? What do you think is the best way to appeal to the next generation?

P.S. While we're here and talking about grandmothers and mothers, go check out our Mother's Day book giveaway (see below)!

Mother's Day Books & Giveaway!

 Photo by Ericka McConnell from Weekend Knitting

If you ask most moms what they want for Mother's Day, they will most likely request a day of ultimate relaxation. But if you ask moms who are crafters what they want for Mother's Day, chances are they will want something that involves both relaxation and crafting--a concept that we fully endorse!

Most of us at STC Craft come from a crafty lineage, and I'd say a healthy percentage of our authors first learned their amazing skills from their mothers. So when we started thinking about gifts to give our moms for Mother's Day, we got to wondering--if we had to pick one STC Craft book to give to our moms, which one would it be? We posed this question to several of our STC Craft authors and staff, and we loved hearing the stories about why each person thinks their mom would enjoy a particular book. But we don't want to stop there--we want to hear from you, too! Leave a comment telling us which STC Craft book you would pick for your mom and why, and if your name is picked, we'll send your mom a copy of the book you've chosen. To enter the giveaway, leave your comment before Friday, May 11 at noon EST.

Click here for full official rules.

Michelle Inciarrano and Katy Maslow, authors of Tiny World Terrariums, say:

The BUST DIY Guide to Life! As regular sellers at the BUST Craftacular gift fairs in NYC, we're very familiar with their magazine and mission. We fully approve! And Katy's mom, being a very crafty lady with a love of DIY, would totally enjoy a book full of inspiring ideas for a day of handmade, homespun fun.

 

   
Gretchen Hirsch, author of the forthcoming Gertie's New Book for Better Sewing, says:

I would definitely give my mom Denyse Schmidt's new book, Modern Quilts, Traditional Inspiration. My mother is an avid (and award-winning!) quilter, and I know she would love the gorgeous inspirational photographs and designs.

   

Liesl Gibson, author of Oliver + S, says:

My mom is a fantastic seamstress (both machine and hand stitching), and she’s sewn for me and my four sisters all our lives. Now that she’s retired and has a little more time to sew for herself (and for fun), I think she’ll enjoy Alabama Studio Sewing + Design and all of Natalie’s wonderful projects and techniques. I hope she’ll make something for herself and will find lots of inspiration from the book. Plus, my mom and Natalie share a similar quiet, thoughtful approach to life. I think they would get along really well if they met!

   

Melanie Falick says:

My first thought was to choose Alabama Studio Sewing + Design by Natalie Chanin for my mom because she's already made several pieces of clothing from Natalie's other books and I think this one would inspire her to try more techniques. But this is a selfish choice since she makes these clothes for me (making me feel incredibly lucky). So, on second thought, I'm going to choose Stitch Magic by Alison Reid. Maybe Mom will be inspired to use some of the beautiful fabric manipulation techniques in that book to sew pillows or curtains or a new bedspread for her house. I think she might like the cushion covers in the Pleating chapter for her living room or the bed throw in the Folded Shapes for her bedroom. When we're both making projects, we always have something interesting to talk about. 

   

STC Craft marketing manager Ellie Levine and STC Craft senior editor Liana Allday both picked Weekend Handmade.

Ellie says: The first weekend that feels like spring, you'll find my mom out in the garden, weeding, planting, and plotting new ways to make the backyard beautiful. When I visit my parents, the first thing I do is take a tour of her latest updates to the landscape, and I can always count on a beautiful flower arrangement on her kitchen table. My mom would adore Kelly Wilkinson's Weekend Handmade: the chapter called "Grow" presents projects inspired by gardens, fields and farmers' markets—three of my mom's favorite things. The Pressed Flower Luminaria, Botanical Note Cards, and irresistible Handmade Labels would all be perfect DIYs for us to create together on a sunny afternoon.

Liana says: My mom is a lifelong crafter, and she is constantly wandering between decoupage, embroidery, gardening, watercolor, and anything else that catches her fancy. For those reasons, I pick Weekend Handmade. Not only is Kelly Wilkinson's California aesthetic a perfect match for my mom's sunny Californian style, but just like my mom, the book wanders around from craft to craft in the most delightful way.

Gertie at STC Craft: It's Not Your Grandma's Crafting (Or Is it?)

 

Hi everyone, I'm back! I got a little bogged down in other work for awhile (including finishing my book!) but I'm back to posting here on a regular basis (I don't want to make any promises that I can't keep so I'll keep it a little vague). I thought I'd jump back in with a discussion of the generational aspects of crafting. I know there are strong opinions on this matter, so I hope we can have a spirited conversation here!

It’s not news that there’s been a resurgence of young women getting involved in crafting for the last decade or so. (I just turned 33 so I feel like I'm smack dab in the middle of the whole thing) Hip knitting books, tattoo-style embroidery kits, and sewing patterns by Project Runway stars all speak to a new generation of DIYer. My personal blog has resonated with lots of twenty-something women, and if I can get them to start sewing, then I’m happy. But one thing bothers me about the young crafting movement: namely, the “it’s not your grandma’s sewing/knitting/embroidering!” mentality and marketing strategy. Because, well, it is your grandmother’s sewing, knitting, or embroidering. (And because I work with vintage sewing patterns and books, this is quite literal to me.)

Whether you’re knitting tea cozies or a skull motif sweater, you’re using the skills that have been passed down among generations of women. Crafting may have gotten a hip makeover, but there’s nothing new when it comes to hand crafting technique—and we have our grandmothers to thank for sharing these skills. Also, we have a responsibility to pass them on to the next generation ourselves. (I’m sure our granddaughters will think skull sweaters are so 30 years ago!)

But perhaps this distancing of the older generation is what it takes to get the young folk interested in crafting. I’ll readily admit to sometimes being drawn to hipster embroidery transfers and other products marketed to the under-35 demographic. But there must be a way to draw in that demographic without alienating our grandmother’s generation.  My Grandmother’s Knitting by Larissa Brown is a great example of this concept at work: it’s a collection of stories about the tradition of knitting in families, paired with patterns that appeal to the modern knitter.

Since we’re coming up to Mother’s Day, now seems like an appropriate time for this discussion. What do you think of this issue? Do slogans like “it’s not your grandmother’s knitting!” bother you? Or do you think it’s a necessary step forward for the craft movement? Please share!

 

Pottery for Beginners: Liana is at the Wheel!

A few years ago, one of our freelance graphic designers asked me if I had ever heard of the potter Simon Leach. Being a devoted fiber arts nerd, I had never wetted my hands with clay—not even in high school or college art classes—and so naturally I had never heard of Simon. But after she showed me a few of his YouTube videos, I quickly saw why thousands of potters were viewing his basic pottery lessons over and over: Simon Leach is a fantastic pottery teacher.

After roughly a year’s worth of conversations, Simon committed to making a pottery book with us, and we're thrilled that his book is on our Spring 2013 list. Pottery is a brand new category for STC Craft. As many of you know, we started out in 2003 primarily publishing knitting books, and then moved into sewing and quilting. Since then, we’ve branched out into printing, paper crafts, and even terrariums, but a large, comprehensive pottery book is new and exciting territory for us. And because it’s nearly impossible to edit a craft book without first understanding the craft, we decided that I really ought to get my hands dirty and take some pottery lessons

 In most pottery books instructions for throwing pots are broken down into a series of subtle hand movements—the left hand centers the clay on the wheel, the right hand lifts the clay into a cone, the middle and ring finger drill a hole into the center of the cone, and then the fingers pull outward to create walls and open the vessel. For each of these steps, there are accompanying how-to photos, and so—as an editor who had never touched clay before—I felt oddly smug reading through the instructions, thinking well this all makes perfect sense, or well that doesn’t seem so hard. But it wasn’t until I sat down at the wheel that I really understood what it takes to put the practice into action.

My first class was three weeks ago, and I must confess, I am not yet an expert potter. Shocking, I know! Oh, it’s true, I walked into that first class harboring some elaborate dreams that I would be a natural, cranking out perfect, delicate teacups every 15 minutes. But those subtle hand movements were a little trickier to put into practice than they seemed. Despite the initial challenges of my first class, I think you can tell from the photo above that I was having an awfully good time.

Truth be told, as a crafty girl through and through, I love the moment when you really gain respect for a craft. Not to say I didn’t respect pottery before I sat down at the wheel, but I do not think that I appreciated the subtle skill involved, nor did I understand how crucial the role of teacher is in this craft. Without the teacher—whether it’s an in-person instructor, a YouTube video, or a how-to book—we would all be lost!

Each of our classes begins with a demonstration from our instructor, Aimee. Watching an experienced ceramicist throw a pot on the wheel is an absolutely mesmerizing sight. (For that reason alone, you should really go check out Simon Leach’s YouTube videos.) When Aimee does her demo, as shown above, all of the students huddle around her as she expertly guides the clay into the most pleasing shapes, and then uses her throwing stick to trim away the excess clay at the bottom, making a perfectly curved shape. While Aimee's pleasing vessels are the ultimate goal for us aspiring potters, my funky little cylinders and bowls are getting better and better each week. But best of all, my understanding of how to edit the forthcoming Simon Leach’s Pottery Handbook are infinitely improved. As I work my way through this 8-week course, I'll be sure to keep you all up-to-date on my latest creations--be they wonky, cute, or laughable! Ta-Da--one of my first creations!

UPPERCASE Magazine (with Subscription Giveaway!)

 

UPPERCASE Magazine is a stunning publication to behold. Published for "the creative and curious," UPPERCASE, now in its 13th issue, explores facets of craft, fashion, and design. And it's a bit of an enigma in a world of digital publications. The hefty quarterly publication is printed on lovely stock and is filled with inspiration and visual treats. There are very few ads, and the ones included (like STC Craft favorite Purl Soho) are as gorgeous as the magazine itself. You can find UPPERCASE in bookstores, but also in luxe shops like Anthropologie.

The journal is the vision of Janine Vangool, the publisher, editor, and designer. We're thrilled to have had a chance to ask Janine a few questions about UPPERCASE.

STC: How would you describe the philosophy of UPPERCASE? 

The tagline for UPPERCASE magazine is "for the creative and curious" and this really is the somewhat loose guideline to content appearing in the magazine. Though the content is based in graphic design, illustration,  and crafting as its starting points, with such a broad statement the articles can be quite eclectic. I think it is this curious bent that makes the magazine unique and hopefully surprising with each new issue.
We like to support the creative endeavours of our readership and therefore much of the written content, photography, and illustration is commissioned from our subscribers, open calls for submissions, and through connections made in our social media circles. I strongly believe that the magazine is a collaborative effort with its readership.
 

STC: How do you come up with a theme for each issue?
I categorize and archive all the submissions and suggestions that come my way, as well as favourite blog posts, Flickr images, Etsy shops, tweets... When you're looking at so many things, you start to see common threads and emerging themes. So an issue's themes are a combination of these discoveries and topics of interest to me personally.
STC: What are the benefits to publishing a paper magazine in a "digital age"?
The physical format of UPPERCASE magazine is part of its appeal—it is something that you hold, carry, collect, and keep. I always strive to make each issue an object that is well-crafted and has attention to detail in in its paper stock, special print processes, or formats... these are the things that make print so special. Unlike digital magazines, which I think promote attention deficit, when you're reading a paper magazine you have more commitment and a more intimate experience!
Though the expense to produce a paper magazine is considerable, I think my readership feels the same way I do and are willing to invest in a long-term relationship.
Obviously, what UPPERCASE is doing is very much in the line of how we think here at STC Craft! So we're thrilled that Janine generously offered a subscription giveaway to one lucky reader. To enter, just leave a comment here by April 30 at 1PM EST. One lucky winner will be chosen at random.
To read more about UPPERCASE, visit their blog and don't forget to subscribe!
Click here for full official rules.

Tiny World Terrariums: A Twig Terrariums Party Report from Assistant Editor Wesley Royce

Last Friday night Twig Terrariums had a launch party for their book Tiny World Terrariums: A Step-by-Step Guide to Easily Contained Life. Katy and Michelle are two of the sweetest, and most enthusiastic, people I’ve had the good fortune of working with while here at ABRAMS, and their launch party was so much fun, filled with great food and drinks. When I received the proposal for Tiny World Terrariums last spring I was so excited. We had been on the lookout for a terrarium book for a while; a tip from our sales department let us know that some accounts had been requesting one, and I immediately knew that this was the book we had been looking for. The terrariums at Twig are fun and unique, filled with scenes that open up the tiny worlds and pull people in to take a closer look. In the book, Katy and Michelle take readers through each step of creating a happy, healthy terrarium so even those with a black thumb can keep theirs alive. If you’re feeling especially motivated you might even want to take one of Twig's NYC workshops. Terrariums make great gifts, and honestly thrive on neglect; I’ve had one living in my windowless office for a year and it is still doing fine.

Inside Twig's amazing studio

Twig's creations on display

Authors Katy Maslow & Michelle Inciaranno brewing their signature "Twig Juice"

Found objects make each terrarium unique

The happy crowd

Green-themed treats

[Photos by Ellie; check out the rest on our Facebook page]

 Want to learn more about Tiny World Terrariums?

Find the book on our website.

Check out our image gallery.

Visit Twig Terrariums online here and here.

Tiny World Terrariums Launch Party

If you're in the NYC area, we hope you'll join us tomorrow night at the Tiny World Terrariums book launch! Authors Michelle Inciaranno and Katy Maslow are hosting the bash at Twig Terrariums' studio in Brooklyn. There will be books for sale, terrariums on display, refreshments from The Good Batch and Brooklyn Brewery, a raffle, and a palm reader.

...yes, a palm reader. This is not an event to be missed.

Here are the details:

Tiny World Terrariums Book Release Party
Friday, April 13th | 7pm – 10pm
Free & open to the public!

Twig Terrarium Studios
274 3rd Avenue | Brooklyn, NY 11215 [map]

RSVP to the event on Facebook and, for those of you who can't make it, stay tuned for a sneak peek at the brand new book!

The Alabama Studio Sewing + Design Cover: Behind the Scenes

We’re thrilled to be publishing Natalie Chanin’s third book, Alabama Studio Sewing + Design. One of the hardest parts of the process was choosing a cover from all the gorgeous images we had! We knew we wanted the cover to look “of a piece” with Natalie’s previous books—Alabama Stitch Book and Alabama Studio Style--but not too similar. And we wanted to convey what the book is: a collection of basic clothing patterns that have endless variety when paired with hand-embellishment techniques.

We’ve used a photo grid design for Natalie’s other books, so we started there. This design made it far into the selection process, with its gorgeous fashion photo of a peachy dress and several close-ups of bead and applique embellishments.

 

 

The designer tried a couple more gridded designs that mixed model shots with embellishment details.

 

 

But in the end, it was something completely different that won out: a single image of two models in an embellished bucket hat design. It felt both striking and fresh, and it set this new book apart from the others in an elegant way.

 

What do you think? Which would you have chosen?

 

Knitting Nature Paperback Cover: Behind the Scenes

Norah Gaughan’s Knitting Nature is a beloved classic here at STC Craft. With 39 patterns inspired by nature, it has continued to inspire knitters since it was published in 2006. And now we’re releasing it in paperback! But we faced a tough question: Stick with the original cover (which we all loved) or spice it up with something new?

We started by trying the hardcover image with a new “STC Craft Classic” graphic to set it apart.

 

But the novelty of a new image won out, and our talented designer, Anna Christian, started experimenting. A favorite was this sweet image of our littlest model wearing mittens, but we decided against it in the end because of a couple of concerns: Would it look like a kid’s book? Was the spirit of the book really apparent in this image?

Another popular option was this gorgeous image of a model posed at the base of a tree. This photograph says so much about the book, especially in the way the lines of the tree are echoed in the model’s sweater.  

But ultimately, we felt this image (while stunning) isn’t really cover material. It’s a tad too subtle, and the scale of the tree dwarfs the sweater design.

And so we came to the clear winner.

 

We all love the bold colors and interesting perspective of this choice. It really grabs one’s attention; don’t you think?

Do you agree with our choice, or do you have another favorite here? 

A Knitter Gives Back: A Guest Blog Post from Leigh Radford of Portland, OR

Leigh Radford is the author of three STC Craft books: AlterKnits, AlterKnits Felt, and One More Skein. She is also the author of One Skein. Leigh and I have been friends ever since we worked together on Interweave Knits magazine. Always generous, she recently completed a beautiful, colorful community knitting project. When I heard about it, I asked her if she would write a guest blog post for us and she--generously--agreed.

 

Above: Albers Stash Blanket, a field of knitted dreams for the Portland community (photo here and below by Beth Conyers).


Knitting is one of my favorite activities.  What began as a childhood hobby has transformed into a career that continues to evolve.

In May 2011 I completed 3-1/2 years of study and earned a bachelor of fine art in craft degree from Oregon College of Art and Craft. The time I spent at OCAC was amazing and, frankly, very self-absorbed. When I finished I took time to reflect on the support I had received from my friends and family and also from my community.

I feel fortunate to have grown up in Oregon and to make my home in Portland. I love living here. The environment, the people, and yes, even the rain--it all feels like home to me. I wanted to give back in some way that would benefit the community that helps nurture my creativity and I wanted to reconnect with people outside of the art school campus.

While pondering possibilities, I thumbed through a copy of One More Skein, the book I finished writing during my first semester back in school. I stopped when I reached the Albers Stash Blanket. I designed this project to celebrate my love of color and my desire to artfully use leftover yarn in my stash. I knew that this project could easily be worked on by a group of knitters--the perfect way to reconnect and give back, and it was right under my nose!

I posted the pattern on my Facebook page and asked  knitters to send me completed panels to assemble into blankets that I would donate to three Portland nonprofits: Cascade Aids Project, p:ear, and Raphael House. Alternatively, I asked them to coordinate similar efforts in their own communities. 

Lantern Moon generously donated knitting needles so that I could start multiple panels and then hand them off to other knitters to complete. I love that this was a joint effort—a community of those who love to knit working together to create something for others. As the deadline approached, I found myself lurking around my mailbox each day to see if a new panel might arrive.

The Albers Stash Blanket is a simple project and versatile enough to incorporate into my daily routine. I brought panels with me to meetings and social events. As I worked a panel, I eagerly anticipated choosing the next color. Sometimes I found myself knitting faster so I could get to it. 

This spring I proudly delivered four blankets to the chosen organizations on behalf of everyone who contributed their time and talents: Michele Lee Bernstein, Linda Blum, Anne Bressler, Jody Creasman, Close Knit, Erin Derr, Liz Hawthorne, Christie Heinonen, Sue Hill, Laura Irwin,  Loretta Kelly, Debbie Kenyon, MaryBeth Lynn, Aileen Mann, Tamsyn Mihalus, Kristin Spurkland, Twisted Yarn Shop, Laurie Undis, Cathy Woodcock, and Sharon Woodcock.

I began this project thinking I was the one giving a gift.  In truth, I feel like I have received one. This project created an opportunity for me to spend time with friends, old and new, and to learn more about three local nonprofits and how I can participate in them in a positive way going forward.

I continue to find inspiration within my Portland community and ask that you think about how you might use your time and talent to connect with others in your community as you reach for your knitting needles to work another row of stitches.

Above: Leigh puts finishing touches on the four blankets donated by the community. 

Q + A with Denyse Schmidt

 

Denyse at work in her studio in Bridgeport, CT

One of the best parts of my job is meeting fabolously creative people and then having the opportunity to work with them (pretty much a dream come true!). I was thrilled to meet quilter Denyse Schmidt a few years ago (introduced by our mutual friend and another STC Craft author Heather Ross). I am even more thrilled and proud today to announce that we have just published Denyse's new book, Denyse Schmidt Modern Quilts, Traditional Inspiration: 20 New Designs with Historic Roots. Denyse is one of the hardest-working and most passionate people I know. When I think back on the year and a half she spent working on this book, the phrase blood, sweat, and tears comes to mind, though I'm not sure she literally put blood into it (she never mentioned any slips with the scissors). However, I can say with full confidence that she put love (for the quilts of the past and the new ones she created), sweat (over the hard work), and tears (because she wanted it to be perfect) into it. And the result is, well, as perfect as a book can be. Recently, both of us feeling a little more relaxed than we were a few months ago, sat down for this Q&A:

 Describe your book in 3 or so adjectives.

Beautiful, inspiring, a tribute to the quilters whose creations sparked my career.

What do you want people to take from your book?

I want them to feel inspired and to learn something. I want them to feel confident that they can take on something a bit more challenging than they have taken on before.

What was your favorite part of the bookmaking process?

I loved doing the research, going back through my files and old books and revisiting the quilts that were made a century ago, the ones that made me want to start my business in the first place. I feel driven to help people think about quilting in different ways, to see how quilts can be really modern, and to wipe away any musty, dusty stereotypes.

What was your favorite part of designing the quilts for the book?

I loved the early part of design phase when I felt like I had time to think a lot about what each quilt could look like, when I considered different fabrics, weighed all of the possibilities, and then narrowed down the choices and started making decisions.

I've been to your studio and know that you don't usually display finished quilts; I've only seen works in progress on your design wall. Why is that?

We don’t have a lot of room in the studio and I like to keep the walls clean except for the task at hand so I can really see what I’m working on. I usually don’t have the luxury of time to celebrate each accomplishment, and this is compounded by my tendency to always be focused on what’s next. So, finished work doesn’t have much of a chance to linger!

Do you display or use any of your quilts at home?

Right now I have two special-edition quilts on my beds at home: Tangerine Poppy in my room and Bone Snow in the guest room. I’ve been pretty attached to these for a while, but I’d like to start rotating in some new quilts.

I remember you telling me that you hand-stitched the Postage Stamp quilt and really enjoyed the process. What did you enjoy about making it?

I’ve always envied knitters because they can sit anywhere and knit and talk to people. If you use a sewing machine, you’re sort of tied to it. My machine is in the studio, so any sewing I do on it feels like “work.” It’s also a bit loud. Hand-sewing feels more reflective and quiet. Most of the quilts I do are quite large, but the Postage Stamp quilt is small and I could easily hand-piece it at home while watching a favorite PBS series. The blocks that make up Postage Stamp are tiny–each one is comprised of nine 1-inch squares–so I felt a sense of accomplishment as I went along and it didn’t take long to finish. A “scrappy” quilt like this is so much fun because you get to include tons of fabrics from your stash. Like most quilters out there, I have an extensive collection of prints, and I really enjoyed getting to use so many of them in this little quilt! 

Denyse's beautiful book. To see images of some of the quilts in it, including Postage Stamp, click here.

International Women's History Day is March 8

And we think this is a great time to say thank you to all of the women who have been sharing their knitting skills for centuries.
 

In My Grandmother's Knitting, Larissa Brown shares stories  from 26 of the most popular designers in the country about the grandmothers and other revered family members and friends who inspired them to knit.

In the quick video above,  Joelle Hoverson, Andrea Berman Price, and I talk about the role of knitting among women, past and present.

Do you want to show your appreciation for the person who inspired you to knit or a woman in history who has inspired you in some way? Here are some ideas:

--Tweet about her (or him) and use the hashtag #knittingherstory.

--Go to the My Grandmother's Knitting Facebook page and post a photo of yourself holding up a sign with the name of your teacher on it. Or check out the gallery of images already there (find out who taught kniterati like Kaffe Fassett and Clara Parkes how to knit) and post a comment.

--Post a photo on your own Facebook page or blog.

--Post a comment here (we always love that!)

--Or stick to the tried-and-true, old-fashioned way: Give her (or him) a call or send a note. Thank you, Merci, Muchas Gracias, etc. 

Knitters’ Favorite Valentine’s Day Gifts

Michelle Edwards' Valentines: Lelia, Meera, and Flory

What was the best gift you ever gave or received on Valentine’s Day?

Some of our authors share their personal favorites in a heartwarming roundup. Here’s wishing you and your loved ones a wonderful Valentine’s Day!

Michelle Edwards, A Knitter’s Home Companion 

The best gift I have ever received was due on Valentine’s Day in 1987, but arrived two weeks later: a healthy, robust gift of boundless love, my oldest daughter, Meera. Swaddled in a blanket I made for her, we brought her home. She gave us such love, joy, and wonder that soon we had two more daughters, Flory and Lelia. Each girl is our very special Valentine. (The story of Meera’s beautiful blanket continues in the first essay in A Knitter’s Home Companion.) 

Betty Christiansen, Knitting for Peace

For Christmas of 1997, I decided to knit my boyfriend, Andrew, a sweater. He and I had been dating for just under a year, and we shared many things in common, including an appreciation of the handmade. I thought if there ever was a boyfriend worthy of a sweater, he was it. Blissfully unaware of the “sweater curse”—and a little less careful about gauge than I am now—I bought my yarn and cast on. The sweater, knit in a beautiful sea blue and a complicated cable pattern, turned out several sizes too big for him. Still, he loved it and wore it proudly.

My best Valentine’s Day gift came just a couple of months later: an engagement ring. I’ve since learned all about the sweater curse, of course, and I’m happy to report that there are exceptions to that “rule.” And despite the extensive yardage required by the sweater, there was enough yarn leftover for a baby cardigan and hat. All three of our kids have worn them.

Melanie Falick, Weekend Knitting

My best Valentine’s Day gift started out as a present for a new boyfriend. We had been together since our first date in July, so when Valentine’s Day approached I decided I would surprise him by secretly knitting him a scarf. He didn’t know I could knit and, in fact, I really wasn’t much of a knitter. I went to The Yarn Company on Manhattan’s Upper West Side and stood in awe in front of shelves stuffed with the most beautiful yarns I had ever seen. I chose a tweed yarn from Tahki, made my boyfriend a scarf, and became fascinated by knitting: the beautiful fibers and colors, the techniques, the traditions, the way I could use it as a way to learn about other cultures and, in particular, about women. Since that life-changing experience over twenty years ago, I have written knitting books, edited a knitting magazine, and become the publishing director of the craft-book program at Abrams Books. I also married the boyfriend for whom I made that scarf. I thought that making the scarf was a gift for him, but it ended up being an amazing gift to myself. 

What is it that makes a handmade gift so special? Watch this video and get inspired:

 What was your favorite Valentine’s Day gift? Share in the comments below!

Introducing Craftcation--A New Conference for Indie, Crafty Business Owners

The internet offers us all sorts of information, resources, and even community, but here at STC Craft we're still big fans of a good, old-fashioned meetups. Whether we're hanging out with our friends and knitting at a coffee shop, taking a class at a local craft store, or attending a more formal event like VK Live or Alt Design Summit, we're just crazy about that face-to-face interaction with creative people. So, we were thrilled to hear about Craftcation, a new event happening March 22-23 in Ventura, California. The brainchild of Nicole Stevenson and Delilah Snell, Craftcation is a sure-to-be-inspiring conference for indie craft business owners who want to grow and maintain their businesses while building new skills. Tending to both the right and left sides of the brain, events on the schedule include business lectures and panels on marketing, social media, legal issues, and accounting, as well as hands-on workshops in subjects like sewing, canning and preserving, cooking, paper arts, and embroidery.

A few days ago we had the chance to ask Nicole (above right) some questions about her conference " baby" and here's what she had to say:

What inspired you to host Craftcation? How long have you been working on it?

When I started my own handmade business Random Nicole, eleven years ago in Los Angeles The Handmade Movement didn’t exist the way it does now. There were lots of people creating things in makeshift kitchen or dining room home ‘studios.’ Indie craft shows hadn’t surfaced yet. When I would meet a fellow maker at a farmer’s market, flea market, or church craft show where we were selling we would frantically exchange information on suppliers, places to sell, and the business side of crafting.

I started Patchwork Indie Arts & Crafts Festival in 2007 with my aunt and business partner Delilah Snell to provide a venue for emerging makers to showcase their goods. At our Patchwork shows Delilah and I noticed that same frenetic information-sharing between crafters that I’d engaged in when I began Random Nicole. We saw a need for an event bringing makers together to connect and share information.

Delilah and I were in Ventura last August scouting future Patchwork locations. We both realized that Ventura was the perfect spot for our dream event, an indie business and DIY conference and Craftcation was born. Since August, Craftcation has pretty much taken over our lives.

 Why do you think so many people are interested in developing craft-related businesses right now?

People are moving towards a more conscious way of living. We’re more aware of the impact our individual choices make on the world around us. We’re asking questions previous generations didn’t ask. How does buying a product made overseas affect our local economy? What materials are used to make the things we purchase and are those materials harmful for us or our environment? How is our food sourced and grown? Every single thing we spend our dollars on reflects our personal philosophies. Although we are in a recession many people don’t mind paying a little more for something if it’s organic or local. We’re beginning to live with less waste, which means maybe we don’t want to spend $40 on 3 T-shirts made overseas that may not stand the test of time but do want to spend $40 on ONE T-shirt that is made from sustainable bamboo, screen-printed with soy ink. and sewn by someone who lives in our town. Value is returning to handmade goods as well as to our time.

Technology has not only made the world ‘smaller’ but also made business more accessible. Anyone can go online and order business cards, open up a shop on Etsy, create a website or blog or learn how to sew. The internet has made it so simple for anyone to gain skills and put themselves out there.

The return to handmade things stems from this new way of living consciously coupled with convenient access to the tools people need to make, buy and sell things.

How did you choose the people who are speaking and teaching classes?

I connected with so many inspiring makers in my eleven years on the craft show circuit and through teaching classes at the brick and mortar studio/shop the craft kitchen that I owned. Delilah forged relationships through her eco-shop The Road Less Traveled, teaching workshops and her involvement in the Southern California food scene. Our seven years producing Patchwork also led to some lasting connections. We put together a list of everyone who we wanted to share their expertise with attendees at Craftcation and began sending emails.   

 Response from these craftelbrities was overwhelming and we’re proud to have industry leaders like Jenny Hart (Sublime Sticthing), Kathy Cano-Murillo (Crafty Chica), Cathy Callahan (Cathy of California), Evan Kleiman (KCRW’s Good Food), Aida Mollenkamp (host on The Food Network and The Cooking Channel) and 30+ more presenters.

What do you most hope attendees will get out the experience?

I want attendees to gain a better understanding of the business aspects of what they do and be able to implement what they learn into starting or growing their indie businesses. Garnering a sense of community with their peers and making lasting connections is also important. Building upon skills they already hold and learning new things in the hands-on craft workshops is fundamental to the Craftcation experience. Running your own business usually means working twice as hard for less money than if you worked for someone else, so I also hope attendees unwind and have fun at our community events like the BBQ Social, Happy Hour Meet & Greet, morning yoga, and '80s Dance Party.

How do you suggest that Craftcation attendees prepare themselves in advance so that they'll be able to get the most out of the experience?

Bring lots of business cards, a sample of your work, and be ready to take tons of notes. Research the presenters beforehand and prepare questions to ask them. This is an amazing opportunity to connect with leading industry professionals. Think about areas where you need help and outline what you want to learn so you can pick which workshops fit your needs. Bring clothes for cool nights and warm days, a banana clip and some leg warmers for the '80s dance party, and a bathing suit (the hotel is steps from the beach).

For more information about Craftcation visit  www.craftcationconference.com and get Craftcation updates on Facebook and Twitter.

Knitted Dinosaurs, Wee and Whomping

It's awfully exciting to come to work in the morning and find a box on your desk containing a knitted dinosaur. It's even more exciting (and, okay, a little strange) when that happens every day for a week! But alas, there was a reason I came to work each day last week to find a new knitted dinosaur waiting for me: We had hired knitters all over the country to make samples of all shapes and sizes from our new book, Knitted Dinosaurs, for display at Vogue Knitting Live (last week) and for TNNA (this coming weekend).

Our favorite part was seeing how different yarn weights can change a dinosaur so much! In the photo above are a Pterodactyl and Stegosaurus (on the right) and a giant T-Rex named Petunia (who has a few miniature Troodons riding on his* back), all of which were made from delicious Blue Sky Alpaca and Spud & Chloe yarns. Petunia was made with Spud & Chloe Outer, a super bulky weight yarn, and came out a whopping 42 inches long and 34 inches around...almost three times bigger than he is when made with a DK-weight yarn! The beautiful thing is that the patterns in the book work no matter what your gauge, so you can make the dinosaurs any size you like.

We also loved seeing the way that two different yarns at the same gauge could subtly alter the look of a stuffed dino. The Pterodactyl above was made with Spud & Chloe Sweater yarn, which is a fluffy, cuddly wool blend, while the Pterodactyl below was made with Spud & Chloe Fine Sock yarn, which gives the fabric a tight, sleek look.But best of all was seeing how each individual knitter interpreted the pattern and put her spin on it. Each dinosaur was stuffed to a different degree of firmness or squishiness; some had flirty eyelashes to match their colorful button eyes; and the placement of the legs or arms was just slightly different on each one. It's funny how all of these details gave each dinosaur a distinct character, reflecting the person whose hands had made it.

If you'd like to see the knitted dinos in person, be sure to stop by the Unicorn booth at TNNA this weekend. A few of them will be hanging out with the rest of the STC Craft books. And word has it that Petunia and a few of her pals are heading over to Knitty City for the rest of January. So, if you're on the Upper West Side in New York City, go for a visit. Knitty City is walking distance from the American Museum of Natural History, where some other pretty famous dinos reside.

 

*Though it may seem counterintuitve to name a boy dinosaur Petunia, I was told by his maker that yes, he is indeed a boy.

STC Craft at Vogue Knitting LIVE New York

The second annual Vogue Knitting LIVE NYC is this weekend, and if last year's show was any indication, midtown Manhattan will transform into a knitter's mecca come Friday. STC Craft is excited to be part of the festivities. If you're attending, we hope you'll check out our author events! Here's the full schedule:

SATURDAY, JANUARY 14TH
9am - 10am
Lecture by Norah Gaughan (Knitting Nature, Comfort Knitting and Crochet: Afghans): "A Design Retrospective"

3pm - 4pm
Signing at the Knitty City booth (#2301-2307) with Norah Gaughan (
Knitting Nature, Comfort Knitting and Crochet: Afghans)

SUNDAY, JANUARY 15TH
9am - 10am
Lecture by Kaffe Fassett (Kaffe Fassett's Simple Shapes Spectacular Quilts): "Kaleidoscope of Color"

10am - 11am
Signing at the Knitty City booth (#2301-2307) with:
Melanie Falick, publishing director of STC Craft and author (Weekend Knitting, Knitting for Baby)
Kristy McGowan (Modern Top-Down Knitting)

10:30am - 11:30am
Lecture by Norah Gaughan (Knitting Nature, Comfort Knitting and Crochet: Afghans): "A Design Retrospective"

12pm - 1pm
Lecture by Debbie Stoller (The BUST DIY Guide to Life): "Lace Exploration"

3pm
Free panel with STC Craft authors Melanie Falick, Debbie Stoller, Norah Gaughan, and Kristy McGowan, along with Trisha Malcolm, Erin Slonaker, Betsy Perry, Laura Zander, and Kirsten Kapur: "When Knitting Becomes a Career"

4pm - 4:30pm
Signing at the Knitty City booth (#2301-2307) with Debbie Stoller (The BUST DIY Guide to Life)

MONDAY, JAUARY 16TH
12pm - 1pm
Lecture by Debbie Stoller (The BUST DIY Guide to Life) "Lace Exploration"

Also, stop by Blue Sky Alpacas' marketplace booth at any point throughout the weekend to check out an adorable display of prehistoric pals from our book Knitted Dinosaurs.

Hope to see you there!

Image by Thayer Allyson Gowdy from Knitting 24/7 by Veronik Avery

The Gift of Handmade from Our Friends at Open Road

A Guest Post by Laura De Silva, Open Road Media

Christmas Eve is only two days away, and December 28th is the final night of Hanukkah this year. Did the holidays sneak up on you, too?

Right about now, many of us are frantically wrapping up our shopping and finishing those handmade gifts we’ve been leisurely approaching until this week. If you, like me, still have a long way to go on that item—whether it’s a scarf, a hat, or (Heaven forbid!) a sweater—you might be cursing yourself for biting off a little more than you can chew this year.

If you’re running out of steam, here’s a little inspiration to help you make it through that last mile of yarn. Watch STC Craft’s Melanie Falick, Joelle Hoverson, and Andrea Price speak about the specialness of giving handmade gifts. Give yourself the gift of a moment with this video, and get back in touch with the reasons why we go to all this trouble in the first place:

I hope watching this video inspires you to share why you make handmade gifts in the comments. (Personally, I give handmade gifts because I love seeing my loved ones wear them—even when the weather doesn’t call for it!)

Ready to jump back into your project now? Needles up . . .

Wishing you and yours the happiest of holidays!

Laura

P.S. If you still need a gift for that friend who loves her Kindle, Nook, iPad, Sony Reader, or Kobo Touch, you can always get her one of the ebooks from STC Craft | Melanie Falick Books! Watch below to learn how to gift an ebook—a great last-minute gift that doesn’t require any swatching).