Tiny World Terrariums: A Twig Terrariums Party Report from Assistant Editor Wesley Royce

Last Friday night Twig Terrariums had a launch party for their book Tiny World Terrariums: A Step-by-Step Guide to Easily Contained Life. Katy and Michelle are two of the sweetest, and most enthusiastic, people I’ve had the good fortune of working with while here at ABRAMS, and their launch party was so much fun, filled with great food and drinks. When I received the proposal for Tiny World Terrariums last spring I was so excited. We had been on the lookout for a terrarium book for a while; a tip from our sales department let us know that some accounts had been requesting one, and I immediately knew that this was the book we had been looking for. The terrariums at Twig are fun and unique, filled with scenes that open up the tiny worlds and pull people in to take a closer look. In the book, Katy and Michelle take readers through each step of creating a happy, healthy terrarium so even those with a black thumb can keep theirs alive. If you’re feeling especially motivated you might even want to take one of Twig's NYC workshops. Terrariums make great gifts, and honestly thrive on neglect; I’ve had one living in my windowless office for a year and it is still doing fine.

Inside Twig's amazing studio

Twig's creations on display

Authors Katy Maslow & Michelle Inciaranno brewing their signature "Twig Juice"

Found objects make each terrarium unique

The happy crowd

Green-themed treats

[Photos by Ellie; check out the rest on our Facebook page]

 Want to learn more about Tiny World Terrariums?

Find the book on our website.

Check out our image gallery.

Visit Twig Terrariums online here and here.

Tiny World Terrariums Launch Party

If you're in the NYC area, we hope you'll join us tomorrow night at the Tiny World Terrariums book launch! Authors Michelle Inciaranno and Katy Maslow are hosting the bash at Twig Terrariums' studio in Brooklyn. There will be books for sale, terrariums on display, refreshments from The Good Batch and Brooklyn Brewery, a raffle, and a palm reader.

...yes, a palm reader. This is not an event to be missed.

Here are the details:

Tiny World Terrariums Book Release Party
Friday, April 13th | 7pm – 10pm
Free & open to the public!

Twig Terrarium Studios
274 3rd Avenue | Brooklyn, NY 11215 [map]

RSVP to the event on Facebook and, for those of you who can't make it, stay tuned for a sneak peek at the brand new book!

The Alabama Studio Sewing + Design Cover: Behind the Scenes

We’re thrilled to be publishing Natalie Chanin’s third book, Alabama Studio Sewing + Design. One of the hardest parts of the process was choosing a cover from all the gorgeous images we had! We knew we wanted the cover to look “of a piece” with Natalie’s previous books—Alabama Stitch Book and Alabama Studio Style--but not too similar. And we wanted to convey what the book is: a collection of basic clothing patterns that have endless variety when paired with hand-embellishment techniques.

We’ve used a photo grid design for Natalie’s other books, so we started there. This design made it far into the selection process, with its gorgeous fashion photo of a peachy dress and several close-ups of bead and applique embellishments.

 

 

The designer tried a couple more gridded designs that mixed model shots with embellishment details.

 

 

But in the end, it was something completely different that won out: a single image of two models in an embellished bucket hat design. It felt both striking and fresh, and it set this new book apart from the others in an elegant way.

 

What do you think? Which would you have chosen?

 

Knitting Nature Paperback Cover: Behind the Scenes

Norah Gaughan’s Knitting Nature is a beloved classic here at STC Craft. With 39 patterns inspired by nature, it has continued to inspire knitters since it was published in 2006. And now we’re releasing it in paperback! But we faced a tough question: Stick with the original cover (which we all loved) or spice it up with something new?

We started by trying the hardcover image with a new “STC Craft Classic” graphic to set it apart.

 

But the novelty of a new image won out, and our talented designer, Anna Christian, started experimenting. A favorite was this sweet image of our littlest model wearing mittens, but we decided against it in the end because of a couple of concerns: Would it look like a kid’s book? Was the spirit of the book really apparent in this image?

Another popular option was this gorgeous image of a model posed at the base of a tree. This photograph says so much about the book, especially in the way the lines of the tree are echoed in the model’s sweater.  

But ultimately, we felt this image (while stunning) isn’t really cover material. It’s a tad too subtle, and the scale of the tree dwarfs the sweater design.

And so we came to the clear winner.

 

We all love the bold colors and interesting perspective of this choice. It really grabs one’s attention; don’t you think?

Do you agree with our choice, or do you have another favorite here? 

A Knitter Gives Back: A Guest Blog Post from Leigh Radford of Portland, OR

Leigh Radford is the author of three STC Craft books: AlterKnits, AlterKnits Felt, and One More Skein. She is also the author of One Skein. Leigh and I have been friends ever since we worked together on Interweave Knits magazine. Always generous, she recently completed a beautiful, colorful community knitting project. When I heard about it, I asked her if she would write a guest blog post for us and she--generously--agreed.

 

Above: Albers Stash Blanket, a field of knitted dreams for the Portland community (photo here and below by Beth Conyers).


Knitting is one of my favorite activities.  What began as a childhood hobby has transformed into a career that continues to evolve.

In May 2011 I completed 3-1/2 years of study and earned a bachelor of fine art in craft degree from Oregon College of Art and Craft. The time I spent at OCAC was amazing and, frankly, very self-absorbed. When I finished I took time to reflect on the support I had received from my friends and family and also from my community.

I feel fortunate to have grown up in Oregon and to make my home in Portland. I love living here. The environment, the people, and yes, even the rain--it all feels like home to me. I wanted to give back in some way that would benefit the community that helps nurture my creativity and I wanted to reconnect with people outside of the art school campus.

While pondering possibilities, I thumbed through a copy of One More Skein, the book I finished writing during my first semester back in school. I stopped when I reached the Albers Stash Blanket. I designed this project to celebrate my love of color and my desire to artfully use leftover yarn in my stash. I knew that this project could easily be worked on by a group of knitters--the perfect way to reconnect and give back, and it was right under my nose!

I posted the pattern on my Facebook page and asked  knitters to send me completed panels to assemble into blankets that I would donate to three Portland nonprofits: Cascade Aids Project, p:ear, and Raphael House. Alternatively, I asked them to coordinate similar efforts in their own communities. 

Lantern Moon generously donated knitting needles so that I could start multiple panels and then hand them off to other knitters to complete. I love that this was a joint effort—a community of those who love to knit working together to create something for others. As the deadline approached, I found myself lurking around my mailbox each day to see if a new panel might arrive.

The Albers Stash Blanket is a simple project and versatile enough to incorporate into my daily routine. I brought panels with me to meetings and social events. As I worked a panel, I eagerly anticipated choosing the next color. Sometimes I found myself knitting faster so I could get to it. 

This spring I proudly delivered four blankets to the chosen organizations on behalf of everyone who contributed their time and talents: Michele Lee Bernstein, Linda Blum, Anne Bressler, Jody Creasman, Close Knit, Erin Derr, Liz Hawthorne, Christie Heinonen, Sue Hill, Laura Irwin,  Loretta Kelly, Debbie Kenyon, MaryBeth Lynn, Aileen Mann, Tamsyn Mihalus, Kristin Spurkland, Twisted Yarn Shop, Laurie Undis, Cathy Woodcock, and Sharon Woodcock.

I began this project thinking I was the one giving a gift.  In truth, I feel like I have received one. This project created an opportunity for me to spend time with friends, old and new, and to learn more about three local nonprofits and how I can participate in them in a positive way going forward.

I continue to find inspiration within my Portland community and ask that you think about how you might use your time and talent to connect with others in your community as you reach for your knitting needles to work another row of stitches.

Above: Leigh puts finishing touches on the four blankets donated by the community. 

Q + A with Denyse Schmidt

 

Denyse at work in her studio in Bridgeport, CT

One of the best parts of my job is meeting fabolously creative people and then having the opportunity to work with them (pretty much a dream come true!). I was thrilled to meet quilter Denyse Schmidt a few years ago (introduced by our mutual friend and another STC Craft author Heather Ross). I am even more thrilled and proud today to announce that we have just published Denyse's new book, Denyse Schmidt Modern Quilts, Traditional Inspiration: 20 New Designs with Historic Roots. Denyse is one of the hardest-working and most passionate people I know. When I think back on the year and a half she spent working on this book, the phrase blood, sweat, and tears comes to mind, though I'm not sure she literally put blood into it (she never mentioned any slips with the scissors). However, I can say with full confidence that she put love (for the quilts of the past and the new ones she created), sweat (over the hard work), and tears (because she wanted it to be perfect) into it. And the result is, well, as perfect as a book can be. Recently, both of us feeling a little more relaxed than we were a few months ago, sat down for this Q&A:

 Describe your book in 3 or so adjectives.

Beautiful, inspiring, a tribute to the quilters whose creations sparked my career.

What do you want people to take from your book?

I want them to feel inspired and to learn something. I want them to feel confident that they can take on something a bit more challenging than they have taken on before.

What was your favorite part of the bookmaking process?

I loved doing the research, going back through my files and old books and revisiting the quilts that were made a century ago, the ones that made me want to start my business in the first place. I feel driven to help people think about quilting in different ways, to see how quilts can be really modern, and to wipe away any musty, dusty stereotypes.

What was your favorite part of designing the quilts for the book?

I loved the early part of design phase when I felt like I had time to think a lot about what each quilt could look like, when I considered different fabrics, weighed all of the possibilities, and then narrowed down the choices and started making decisions.

I've been to your studio and know that you don't usually display finished quilts; I've only seen works in progress on your design wall. Why is that?

We don’t have a lot of room in the studio and I like to keep the walls clean except for the task at hand so I can really see what I’m working on. I usually don’t have the luxury of time to celebrate each accomplishment, and this is compounded by my tendency to always be focused on what’s next. So, finished work doesn’t have much of a chance to linger!

Do you display or use any of your quilts at home?

Right now I have two special-edition quilts on my beds at home: Tangerine Poppy in my room and Bone Snow in the guest room. I’ve been pretty attached to these for a while, but I’d like to start rotating in some new quilts.

I remember you telling me that you hand-stitched the Postage Stamp quilt and really enjoyed the process. What did you enjoy about making it?

I’ve always envied knitters because they can sit anywhere and knit and talk to people. If you use a sewing machine, you’re sort of tied to it. My machine is in the studio, so any sewing I do on it feels like “work.” It’s also a bit loud. Hand-sewing feels more reflective and quiet. Most of the quilts I do are quite large, but the Postage Stamp quilt is small and I could easily hand-piece it at home while watching a favorite PBS series. The blocks that make up Postage Stamp are tiny–each one is comprised of nine 1-inch squares–so I felt a sense of accomplishment as I went along and it didn’t take long to finish. A “scrappy” quilt like this is so much fun because you get to include tons of fabrics from your stash. Like most quilters out there, I have an extensive collection of prints, and I really enjoyed getting to use so many of them in this little quilt! 

Denyse's beautiful book. To see images of some of the quilts in it, including Postage Stamp, click here.

International Women's History Day is March 8

And we think this is a great time to say thank you to all of the women who have been sharing their knitting skills for centuries.
 

In My Grandmother's Knitting, Larissa Brown shares stories  from 26 of the most popular designers in the country about the grandmothers and other revered family members and friends who inspired them to knit.

In the quick video above,  Joelle Hoverson, Andrea Berman Price, and I talk about the role of knitting among women, past and present.

Do you want to show your appreciation for the person who inspired you to knit or a woman in history who has inspired you in some way? Here are some ideas:

--Tweet about her (or him) and use the hashtag #knittingherstory.

--Go to the My Grandmother's Knitting Facebook page and post a photo of yourself holding up a sign with the name of your teacher on it. Or check out the gallery of images already there (find out who taught kniterati like Kaffe Fassett and Clara Parkes how to knit) and post a comment.

--Post a photo on your own Facebook page or blog.

--Post a comment here (we always love that!)

--Or stick to the tried-and-true, old-fashioned way: Give her (or him) a call or send a note. Thank you, Merci, Muchas Gracias, etc. 

Knitters’ Favorite Valentine’s Day Gifts

Michelle Edwards' Valentines: Lelia, Meera, and Flory

What was the best gift you ever gave or received on Valentine’s Day?

Some of our authors share their personal favorites in a heartwarming roundup. Here’s wishing you and your loved ones a wonderful Valentine’s Day!

Michelle Edwards, A Knitter’s Home Companion 

The best gift I have ever received was due on Valentine’s Day in 1987, but arrived two weeks later: a healthy, robust gift of boundless love, my oldest daughter, Meera. Swaddled in a blanket I made for her, we brought her home. She gave us such love, joy, and wonder that soon we had two more daughters, Flory and Lelia. Each girl is our very special Valentine. (The story of Meera’s beautiful blanket continues in the first essay in A Knitter’s Home Companion.) 

Betty Christiansen, Knitting for Peace

For Christmas of 1997, I decided to knit my boyfriend, Andrew, a sweater. He and I had been dating for just under a year, and we shared many things in common, including an appreciation of the handmade. I thought if there ever was a boyfriend worthy of a sweater, he was it. Blissfully unaware of the “sweater curse”—and a little less careful about gauge than I am now—I bought my yarn and cast on. The sweater, knit in a beautiful sea blue and a complicated cable pattern, turned out several sizes too big for him. Still, he loved it and wore it proudly.

My best Valentine’s Day gift came just a couple of months later: an engagement ring. I’ve since learned all about the sweater curse, of course, and I’m happy to report that there are exceptions to that “rule.” And despite the extensive yardage required by the sweater, there was enough yarn leftover for a baby cardigan and hat. All three of our kids have worn them.

Melanie Falick, Weekend Knitting

My best Valentine’s Day gift started out as a present for a new boyfriend. We had been together since our first date in July, so when Valentine’s Day approached I decided I would surprise him by secretly knitting him a scarf. He didn’t know I could knit and, in fact, I really wasn’t much of a knitter. I went to The Yarn Company on Manhattan’s Upper West Side and stood in awe in front of shelves stuffed with the most beautiful yarns I had ever seen. I chose a tweed yarn from Tahki, made my boyfriend a scarf, and became fascinated by knitting: the beautiful fibers and colors, the techniques, the traditions, the way I could use it as a way to learn about other cultures and, in particular, about women. Since that life-changing experience over twenty years ago, I have written knitting books, edited a knitting magazine, and become the publishing director of the craft-book program at Abrams Books. I also married the boyfriend for whom I made that scarf. I thought that making the scarf was a gift for him, but it ended up being an amazing gift to myself. 

What is it that makes a handmade gift so special? Watch this video and get inspired:

 What was your favorite Valentine’s Day gift? Share in the comments below!

Introducing Craftcation--A New Conference for Indie, Crafty Business Owners

The internet offers us all sorts of information, resources, and even community, but here at STC Craft we're still big fans of a good, old-fashioned meetups. Whether we're hanging out with our friends and knitting at a coffee shop, taking a class at a local craft store, or attending a more formal event like VK Live or Alt Design Summit, we're just crazy about that face-to-face interaction with creative people. So, we were thrilled to hear about Craftcation, a new event happening March 22-23 in Ventura, California. The brainchild of Nicole Stevenson and Delilah Snell, Craftcation is a sure-to-be-inspiring conference for indie craft business owners who want to grow and maintain their businesses while building new skills. Tending to both the right and left sides of the brain, events on the schedule include business lectures and panels on marketing, social media, legal issues, and accounting, as well as hands-on workshops in subjects like sewing, canning and preserving, cooking, paper arts, and embroidery.

A few days ago we had the chance to ask Nicole (above right) some questions about her conference " baby" and here's what she had to say:

What inspired you to host Craftcation? How long have you been working on it?

When I started my own handmade business Random Nicole, eleven years ago in Los Angeles The Handmade Movement didn’t exist the way it does now. There were lots of people creating things in makeshift kitchen or dining room home ‘studios.’ Indie craft shows hadn’t surfaced yet. When I would meet a fellow maker at a farmer’s market, flea market, or church craft show where we were selling we would frantically exchange information on suppliers, places to sell, and the business side of crafting.

I started Patchwork Indie Arts & Crafts Festival in 2007 with my aunt and business partner Delilah Snell to provide a venue for emerging makers to showcase their goods. At our Patchwork shows Delilah and I noticed that same frenetic information-sharing between crafters that I’d engaged in when I began Random Nicole. We saw a need for an event bringing makers together to connect and share information.

Delilah and I were in Ventura last August scouting future Patchwork locations. We both realized that Ventura was the perfect spot for our dream event, an indie business and DIY conference and Craftcation was born. Since August, Craftcation has pretty much taken over our lives.

 Why do you think so many people are interested in developing craft-related businesses right now?

People are moving towards a more conscious way of living. We’re more aware of the impact our individual choices make on the world around us. We’re asking questions previous generations didn’t ask. How does buying a product made overseas affect our local economy? What materials are used to make the things we purchase and are those materials harmful for us or our environment? How is our food sourced and grown? Every single thing we spend our dollars on reflects our personal philosophies. Although we are in a recession many people don’t mind paying a little more for something if it’s organic or local. We’re beginning to live with less waste, which means maybe we don’t want to spend $40 on 3 T-shirts made overseas that may not stand the test of time but do want to spend $40 on ONE T-shirt that is made from sustainable bamboo, screen-printed with soy ink. and sewn by someone who lives in our town. Value is returning to handmade goods as well as to our time.

Technology has not only made the world ‘smaller’ but also made business more accessible. Anyone can go online and order business cards, open up a shop on Etsy, create a website or blog or learn how to sew. The internet has made it so simple for anyone to gain skills and put themselves out there.

The return to handmade things stems from this new way of living consciously coupled with convenient access to the tools people need to make, buy and sell things.

How did you choose the people who are speaking and teaching classes?

I connected with so many inspiring makers in my eleven years on the craft show circuit and through teaching classes at the brick and mortar studio/shop the craft kitchen that I owned. Delilah forged relationships through her eco-shop The Road Less Traveled, teaching workshops and her involvement in the Southern California food scene. Our seven years producing Patchwork also led to some lasting connections. We put together a list of everyone who we wanted to share their expertise with attendees at Craftcation and began sending emails.   

 Response from these craftelbrities was overwhelming and we’re proud to have industry leaders like Jenny Hart (Sublime Sticthing), Kathy Cano-Murillo (Crafty Chica), Cathy Callahan (Cathy of California), Evan Kleiman (KCRW’s Good Food), Aida Mollenkamp (host on The Food Network and The Cooking Channel) and 30+ more presenters.

What do you most hope attendees will get out the experience?

I want attendees to gain a better understanding of the business aspects of what they do and be able to implement what they learn into starting or growing their indie businesses. Garnering a sense of community with their peers and making lasting connections is also important. Building upon skills they already hold and learning new things in the hands-on craft workshops is fundamental to the Craftcation experience. Running your own business usually means working twice as hard for less money than if you worked for someone else, so I also hope attendees unwind and have fun at our community events like the BBQ Social, Happy Hour Meet & Greet, morning yoga, and '80s Dance Party.

How do you suggest that Craftcation attendees prepare themselves in advance so that they'll be able to get the most out of the experience?

Bring lots of business cards, a sample of your work, and be ready to take tons of notes. Research the presenters beforehand and prepare questions to ask them. This is an amazing opportunity to connect with leading industry professionals. Think about areas where you need help and outline what you want to learn so you can pick which workshops fit your needs. Bring clothes for cool nights and warm days, a banana clip and some leg warmers for the '80s dance party, and a bathing suit (the hotel is steps from the beach).

For more information about Craftcation visit  www.craftcationconference.com and get Craftcation updates on Facebook and Twitter.

Knitted Dinosaurs, Wee and Whomping

It's awfully exciting to come to work in the morning and find a box on your desk containing a knitted dinosaur. It's even more exciting (and, okay, a little strange) when that happens every day for a week! But alas, there was a reason I came to work each day last week to find a new knitted dinosaur waiting for me: We had hired knitters all over the country to make samples of all shapes and sizes from our new book, Knitted Dinosaurs, for display at Vogue Knitting Live (last week) and for TNNA (this coming weekend).

Our favorite part was seeing how different yarn weights can change a dinosaur so much! In the photo above are a Pterodactyl and Stegosaurus (on the right) and a giant T-Rex named Petunia (who has a few miniature Troodons riding on his* back), all of which were made from delicious Blue Sky Alpaca and Spud & Chloe yarns. Petunia was made with Spud & Chloe Outer, a super bulky weight yarn, and came out a whopping 42 inches long and 34 inches around...almost three times bigger than he is when made with a DK-weight yarn! The beautiful thing is that the patterns in the book work no matter what your gauge, so you can make the dinosaurs any size you like.

We also loved seeing the way that two different yarns at the same gauge could subtly alter the look of a stuffed dino. The Pterodactyl above was made with Spud & Chloe Sweater yarn, which is a fluffy, cuddly wool blend, while the Pterodactyl below was made with Spud & Chloe Fine Sock yarn, which gives the fabric a tight, sleek look.But best of all was seeing how each individual knitter interpreted the pattern and put her spin on it. Each dinosaur was stuffed to a different degree of firmness or squishiness; some had flirty eyelashes to match their colorful button eyes; and the placement of the legs or arms was just slightly different on each one. It's funny how all of these details gave each dinosaur a distinct character, reflecting the person whose hands had made it.

If you'd like to see the knitted dinos in person, be sure to stop by the Unicorn booth at TNNA this weekend. A few of them will be hanging out with the rest of the STC Craft books. And word has it that Petunia and a few of her pals are heading over to Knitty City for the rest of January. So, if you're on the Upper West Side in New York City, go for a visit. Knitty City is walking distance from the American Museum of Natural History, where some other pretty famous dinos reside.

 

*Though it may seem counterintuitve to name a boy dinosaur Petunia, I was told by his maker that yes, he is indeed a boy.

STC Craft at Vogue Knitting LIVE New York

The second annual Vogue Knitting LIVE NYC is this weekend, and if last year's show was any indication, midtown Manhattan will transform into a knitter's mecca come Friday. STC Craft is excited to be part of the festivities. If you're attending, we hope you'll check out our author events! Here's the full schedule:

SATURDAY, JANUARY 14TH
9am - 10am
Lecture by Norah Gaughan (Knitting Nature, Comfort Knitting and Crochet: Afghans): "A Design Retrospective"

3pm - 4pm
Signing at the Knitty City booth (#2301-2307) with Norah Gaughan (
Knitting Nature, Comfort Knitting and Crochet: Afghans)

SUNDAY, JANUARY 15TH
9am - 10am
Lecture by Kaffe Fassett (Kaffe Fassett's Simple Shapes Spectacular Quilts): "Kaleidoscope of Color"

10am - 11am
Signing at the Knitty City booth (#2301-2307) with:
Melanie Falick, publishing director of STC Craft and author (Weekend Knitting, Knitting for Baby)
Kristy McGowan (Modern Top-Down Knitting)

10:30am - 11:30am
Lecture by Norah Gaughan (Knitting Nature, Comfort Knitting and Crochet: Afghans): "A Design Retrospective"

12pm - 1pm
Lecture by Debbie Stoller (The BUST DIY Guide to Life): "Lace Exploration"

3pm
Free panel with STC Craft authors Melanie Falick, Debbie Stoller, Norah Gaughan, and Kristy McGowan, along with Trisha Malcolm, Erin Slonaker, Betsy Perry, Laura Zander, and Kirsten Kapur: "When Knitting Becomes a Career"

4pm - 4:30pm
Signing at the Knitty City booth (#2301-2307) with Debbie Stoller (The BUST DIY Guide to Life)

MONDAY, JAUARY 16TH
12pm - 1pm
Lecture by Debbie Stoller (The BUST DIY Guide to Life) "Lace Exploration"

Also, stop by Blue Sky Alpacas' marketplace booth at any point throughout the weekend to check out an adorable display of prehistoric pals from our book Knitted Dinosaurs.

Hope to see you there!

Image by Thayer Allyson Gowdy from Knitting 24/7 by Veronik Avery

The Gift of Handmade from Our Friends at Open Road

A Guest Post by Laura De Silva, Open Road Media

Christmas Eve is only two days away, and December 28th is the final night of Hanukkah this year. Did the holidays sneak up on you, too?

Right about now, many of us are frantically wrapping up our shopping and finishing those handmade gifts we’ve been leisurely approaching until this week. If you, like me, still have a long way to go on that item—whether it’s a scarf, a hat, or (Heaven forbid!) a sweater—you might be cursing yourself for biting off a little more than you can chew this year.

If you’re running out of steam, here’s a little inspiration to help you make it through that last mile of yarn. Watch STC Craft’s Melanie Falick, Joelle Hoverson, and Andrea Price speak about the specialness of giving handmade gifts. Give yourself the gift of a moment with this video, and get back in touch with the reasons why we go to all this trouble in the first place:

I hope watching this video inspires you to share why you make handmade gifts in the comments. (Personally, I give handmade gifts because I love seeing my loved ones wear them—even when the weather doesn’t call for it!)

Ready to jump back into your project now? Needles up . . .

Wishing you and yours the happiest of holidays!

Laura

P.S. If you still need a gift for that friend who loves her Kindle, Nook, iPad, Sony Reader, or Kobo Touch, you can always get her one of the ebooks from STC Craft | Melanie Falick Books! Watch below to learn how to gift an ebook—a great last-minute gift that doesn’t require any swatching).

 

STC Craft Gift Guide and Special Holiday Giveaway

UPDATE: In the spirit of the holiday season, we've decided to extend the contest through Friday, December 23rd. We'll be picking three lucky winners that day at noon so after you've left a comment, be sure to tell your friends to enter as well!

Have you run out of time to make crafts for the crafty people in your life? Then keep it simple and treat them to a beautiful craft book. And while you're at it, leave a comment below and you will be automatically entered in our free book giveaway! Just tell us your favorite holiday craft—whether it's ornament-making, cookie baking, or making lavish handmade gifts. The contest closes next Wednesday, December 21, at noon EST. If your name is drawn, you'll win a book of your choice from our online catalog.

For those who love to make toys:
Knitted Dinosaurs & Wee Wonderfuls

 

For those who love to read about knitting (and make a few things too):
My Grandmother's Knitting & A Knitter's Home Companion

 

For sewists who want to take their stitches to the next level:
Stitch Magic & Sewing Basics

 

For knitters who want to take knits and purls to the next level:
Loop-d-Loop Lace, Reversible Knitting

 

For holiday crafters:
Have Yourself a Very Vintage Christmas
Crafting a Meaningful Home

 

For crafters on a budget:
PS I Made This and Repurposed Library

 

For crafters who want to make everything:
Bust DIY Guide to Life
 

 

For backyard enthusiasts:
The Complete Kitchen Garden & Beekeeper's Bible

 

For culinary crafters:
Home Made, Sugar Baby, Canning for a New Generation
For those who love to make children's clothing:
Oliver + S, Knitting for Baby, Vintage Baby Knits
For top-down knitters:
Custom Knits 1, Custom Knits 2, & Modern Top-Down Knitting
For weekend crafters:
Weekend Knitting, Weekend Sewing, Weekend Handmade
For procrastinators: Last-Minute Series

 

Handmade Holidays Memories from Kelly Wilkinson, author of Weekend Handmade

A Guest Post by Kelly Wilkinson

 

For me, the telltale smell of Christmas isn’t gingerbread or eggnog--but the smell of a hot glue gun. 

We were one of those annoyingly Currier & Ives families who actually made our holiday gifts and invited people over to sing carols around the piano and, get this–-reenact the story of Mary and Joseph traveling to Bethlehem. I kid you not. My dad always played the tax collector and sometimes doubled as the donkey.  I know, I know: I can practically HEAR your eyeballs rolling. You can’t get much more wholesome, which is probably why my sisters and I each cultivated a pretty healthy streak of snark.

Naturally, these traditions became unbearably embarrassing once we entered middle school and beyond. But now, there is nothing I love more than an old-fashioned sing-a-long, led by my insanely musical mother.  Another holiday tradition that I still cherish is crafting up homemade presents for my family. 

This year, my husband and I are travelling back to Virginia and the renovated barn I grew up in for the holidays. And while I’ll try to have all my presents made by the time we ship out, I’m sure that my down-to-the-wire personality means that you’ll find me in my Christmas pajamas, tucked into a cozy corner of the barn, soldering or sewing or wrapping. 
 
And in all truthfulness, there’s nowhere else I’d prefer to be. 

Above, left: Kelly expectantly hanging her stockings in 1979; above, right: The Wilkinsons, wishing you a Merry christmas sometime in the early 1980s.

Inspired to craft your own holiday presents? Check out Kelly's book Weekend Handmade for plenty of fresh, simple, and fun ideas.

A Handmade Holiday Recipe from Susan Waggoner, Author of Have Yourself a Very Vintage Christmas

A Guest Post by Susan Waggoner

My early Christmases were celebrated in Des Moines, Iowa, with my father’s family, a group to whom Yuletide was equal parts holiday and competitive crafting marathon. Today, my most vibrant memories of those years revolve around what was made rather than what was bought: red voile aprons with white poinsettias painted--freehand--by my grandmother; a host of miniature angels crafted by my mother hovering around an organ my father made, using his drafting pencils for pipes; wreaths of pinecones. It was exciting to be even on the fringes of such activity.

A few years later, when we relocated to Minnesota, my mother kept up the tradition on her own, gluing mercury glass beads to pine boughs on the steppes of suburbia. Our Christmas Eves were quieter, lit by tiny blue lights and the magical hush of a house surrounded by deep snow. In Minnesota, we followed my mother’s family tradition, and hand-crafting took the form of a Swedish smorgasbord, with tender meatballs in cream gravy, sweet Swedish rye bread with orange peel grated in for the occasion, a sweet-and-sour brown bean dish known as bruna bönor, and for dessertkringler, a delectable almond pastry whose very taste still summons up to me the essence of so many Christmases gone by.

Swedish Kringler

This is a surprising recipe in that it has no sugar other than the frosting, and the filling sounds about as appealing as wallpaper paste. Nevertheless, the end result is delicious. If I'm just making this for a few people, I make half the recipe. I don't try to do half of 3 eggs, I just pick the largest egg in the carton and it works fine. To keep the crust crisp, I store leftovers in a shoebox, or on a plate loosely tented with foil.

Crust:

1 c flour

½ c butter

2 tbsp water

Filling:

1 c water

½ c butter

1 c flour

3 eggs

1 tsp almond extract

Frosting:

1 c powdered sugar

1 tbsp milk or cream

1 tbsp butter, melted

1 tsp almond extract

To make the crust:

Pulse ingredients in a food processor or cut with knives as you would pie dough to make a crumbly dough that will stick together if you press it.

Round up dough in two balls.

On a cookie sheet (a silicon mat on the cookie sheet is swell, as is baker’s parchment), pat into 2 long strips, about 4" x 12" each. This is kind of messy and sticky—I use the side of my hand to push it into shape. No problem if it looks rustic.

To make the filling:

Put water and butter in a saucepan. Heat to melt butter, then increase heat, bring to boil and remove from heat immediately. Add flour and stir until smooth. Beat in one egg at a time. Add extract and spread over crust.

Bake on 325 for about 40 minutes, until the edges of the crust turn golden brown.

To make the frosting:

Whip ingredients together. 

When cool, frost and garnish with slivered almonds or multicolored sprinkles or drained maraschino cherry halves.  Slice crosswise in strips about 1" wide.

For more traditional holiday recipes as well as vintage-inspired holiday decorations, check out Susan's book Have Yourself a Very Vintage Christmas.

The BUST Holiday Craftacular in NYC This Weekend!

We all know that handmade gifts are the way to make loved ones feel warm and fuzzy. Well, New York crafters, listen up: At this weekend's BUST Magazine Craftacular, at 82 Mercer St., you can not only shop 'til you drop for cute indie goods, but you can also create some DIY gifts of your own.

At The BUST DIY Guide to Life Lab there will be classes on both Saturday and Sunday afternoon on how to make friendship bracelets, bath bombs, terrariums, snow globes, and rad retro hairstyles. All projects are excerpted from The BUST DIY Guide to Lifeand authors/BUST magazine co-founders Debbie Stoller and Laurie Henzel will be on hand to sign copies of the book (which makes a great gift in and of itself). 

Here's the full schedule:

Pre-register online to reserve your space. Hope to see you this weekend!

Gertie at STC Craft: Feeling Thankful

Thanksgiving, more than any other holiday, is all about reflection for me. I was walking past Penn Station today, and it brought back a memory from exactly one year ago.

It was the day before Thanksgiving, and I had a half-day at work. I used to edit books for a big publishing company. While it was an interesting job, it gradually evolved into just a “day job” as my sewing blog took off and I wanted to devote all of my time to it. After I left work that Thanksgiving Eve, I had to get downtown for an appointment, but I had a couple hours to kill. I decided to walk to the Borders bookstore right by Penn Station to browse the craft section. When I got there, it became very clear that I had picked the wrong day to do that. 

“What kind of idiot decides to take a leisurely trip to Penn Station the day before Thanksgiving?” I wondered. Apparently, I was that idiot. As mobs of travelers rushed by me, yelling and jostling and ramming their suitcases into each other (and me), I had quite a dark moment. Sometimes I really hate New York, I thought.

Fast forward to today, the day before Thanksgiving. I no longer work at my day job. Many factors came together to make it possible for me to switch to a combination of sewing and craft-related freelance work. This afternoon I met with the illustrator for my book at the sewing studio where I teach. After we finished, I walked uptown to the Garment District to pick up a few supplies. Can you guess where I walked, readers? Right past Penn Station and the holiday travel hustle and bustle. Again, I was that idiot.

But this year, I barely noticed. Things felt calmer. Yes, people were yelling and smoking and taking up the whole sidewalk waiting for the Bolt Bus, but it didn’t occur to me to feel annoyed by all this. Perhaps I’m just having an unusually serene day, but it did really highlight the differences in my life between last year and this year.

Melanie and I were chatting on the phone earlier this morning, and she reminded me of a conversation we had when we traveled to Palm Springs together last January. She had recommended me to teach at Heather Ross’s weekend sewing workshop there, and Heather obligingly agreed, even though I was a very small name in her lineup of star-power teachers. As Melanie and I chatted the entire way out to California, she told me that she had a fantasy of me coming to work at STC Craft with her. I was incredibly flattered and agreed that was indeed a great fantasy.

Amazingly, it did happen. Not exactly the way we thought it would, but what in life ever does? Earlier this year, many people came together to support my big career move. Melanie gave me regular freelance work to make the transition easier, along with many words of wisdom as a friend.  My amazing husband, Jeff, continues to work at his “day job” so I don’t have to--and has been nothing less than supportive and optimistic. I have an amazing readership of passionate sewing enthusiasts who have made my blog what it is. A couple readers have even become my “interns,” working for me for free to help me juggle all the amazing things going on in my life.

To make a long story short, there’s a lot to be thankful for. I can’t believe the way my life has changed in the past year, and I’m grateful to all of you reading this for being a part of it.

Have a fabulous Thanksgiving!