Knitting for Peace/Project Linus Blanket

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It's always pleasing to see projects people have made from the books we publish at STC Craft. The blanket here from Oiyi's Crafts caught my eye yesterday. It's the Project Linus Security Blanket. This blogger got the pattern from our book Knitting for Peace by Betty Christiansen, but it also appears here (on the Project Linus website). If you don't already know, Project Linus is a wonderful organization that distributes handknitted blankets to critically ill and traumatized children. The pattern is basically three rows repeated over and over--and two of them are either all knit or all purl. (It doesn't get much easier than that.)

The sweater in the photo--called the Quickie ("5-Hour") Baby Sweater--comes from The Fiber Gypsy. The pattern is free but each person who uses it is asked to make at least one sweater for charity (a good deal all around).

Thanks, Jane

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Isn't this hyacinth pretty! I am absolutely fascinated by it. I was inspired to learn how to force hyacinths in water after seeing Jane Brocket's photos of her hyacinths on her blog yarnstorm and in her book The Gentle Art of Domesticity. Jane's book was published in England (where she lives) a few months ago and, I am happy to report, STC will be publishing it in the United States next fall. Thanks, Jane, for teaching me about hyacinths and for trusting STC with your book. (And thanks, Suzan, for insisting I check out Jane's blog in the first place.)

Swedish Heartwarmer on Ravelry

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I was very happy when I found out yesterday that a knitalong for Priscilla Gibson Roberts's Swedish Heartwarmer Shawl from Handknit Holidays is starting on Ravelry. It's such a stunning project but definitely one that requires dedication. What better way to stay focused than with a little help from your friends! If you're not a member of Ravelry yet, don't be intimidated by the waiting list--they process new memberships amazingly quickly.

Sarah Talks Weaving

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Henry weaving (from Kids Weaving)

If you're interested in tapestry weaving, you'll want to listen to Sarah Swett, author of Kids Weaving, talk about her work in the most recent episode (that is, #24) of Weave: A Podcast for Handweavers. Below is one of her tapestries. To see more, click here. I am always captivated by her ability to capture the subtleties of domesticity, women lives, and nature in her work.

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Miss Havisham's Gardener

(50" X 38"; wool warp and weft; all natural dyes)


Knitting on NPR

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Yesterday morning Sabrina Gschwandtner, author of KnitKnit: Profiles & Projects from Knitting's New Wave, was interviewed on on NPR's The Bryant Park Project. Click here to listen to the interview and see the audio slide show. Sabrina talks to the hosts about her book, the many forms knitting can take (including graffiti, protest, and art); historic and current wartime knitting; knitting and community; and more. Photo above of Isabel Berglund's "City of Stitches" from Sabrina's book.

Montreal Tuque

 
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I'm currently attempting to make my way through the many skeins of yarn that I have collected over the last decade or so. And so I present my recently completed version of the Montreal Tuque from Knitting Classic Style by Veronik Avery. I made it with three colors of a soft, smooth, sturdy merino wool called Emmanuella from Goddess Yarns that have been in my stash for quite some time. This hat is super-easy to knit, the style seems to suit just about everyone, and because it's a 3-by-1 rib, there's a lot of flexibility in the sizing. I highly recommend it if you're looking for a simple, satisfying project that can easily be made with an assortment of stash leftovers--or newly purchased yarn, of course. It all depends on what phase you are in, in your knitting life--the building-up phase or the working-through phase.

Congratulations, Hannah!

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I'm very happy to report that Hannah Rogge's newest book Save this Shirt: Cut It, Stitch It, Wear It Now has been named a 2008 Quick Pick for Reluctant Readers by the Young Adult Library Services Association (YALSA), a division of the American Library Association. This is Hannah's second YALSA honor. Her first book, Hardwear: Jewelry From a Toolbox, earned this award in 2007.

-To see a gallery of projects from Save this Shirt, click here
-To see a gallery of projects from Hardwear, click here.
-To read about a weekend Hannah I spent together in November, click here (and scroll down).
-For a list of all of this year's YALSA winners, click here.
-And please join me in congratulating Hannah--an extraordinary crafter, author, and friend.

Ready for 2008

I can't imagine staying organized without my planner. And each year I buy the same one -- a 5.25" x 8.25" moleskine diary with one page of writing space per day. At the end of December, I put my old one on the shelf with the others from previous years, then start a new one for the year about to begin. It is a small ritual that I enjoy. However, this year I  made a minor change. I stitched a reverse-applique cover for my journal out of recycled cotton jersey . . .

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. . . following the instructions in Alabama Stitch Book by Natalie Chanin (founder of Alabama Chanin). Natalie's book will be in stores in March, one of the four new STC Craft books to be released in the first four months of 2008.

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With my new planner ready and looking so special, I can hardly wait for the new year to begin. 

 

Joy


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About a month ago, Heather Ross, a friend and the author of the upcoming Weekend Sewing, came to my house so we could do some work together on her book and also to make holiday cards using her portable printing machine called the Print Gocco Kit. The Print Gocco comes from Japan, where--according to the people who sell it--one out of three families has one. Basically, you create your artwork (or Heather creates it for you), then using the Print Gocco, burn a screen (as in silk screening), then one-by-one print your cards. Heather knew what she was doing (she actually created her wedding invitations this way) so it didn't take us very long and it was lots of fun. The artwork depicts my dog Maggie catching a Frisbee (her favorite activity). I present this card here as my way of wishing you that kind of pure joy this holiday season and in 2008!

New Galleries

While reviewing the traffic here, I regularly notice that the galleries are quite popular. So, in an effort to give you more of what I think you want, I have added three new galleries this evening: Knitting Classic Style, Knitting Nature, and Save this Shirt. At this stage of the process, when the books are completed and I have a chance to look at--and enjoy--the images inside of them without worrying about the myriad tasks that go into making them, I always feel somewhat  amazed that we actually reached this point, that the author and I and the rest of the publishing team actually finished.  Of course, there are always new books to work on. It is, in fact, an ongoing cycle--one book is delivered to stores at the same time that another proposal lands on my desk. Often people ask me how many books I am working on at one time but I've never sat down to figure that out as doing so feels rather overwhelming. Tonight I will continue to put off that task and simply enjoy the galleries, which make everything look so easy. I hope you will as well.

Sheep as Inspiration for Art

As a knitter, I have developed a deep appreciation for sheep. How could I not, considering all of the beautiful fiber they so generously share with us year after year? And so I am particular intrigued by Andy Goldsworthy's new book called Enclosure. It recounts in words and photos his Sheepfolds Project, for which he restored over 40 stone enclosures once used by farmers to shelter, count, and wash their sheep in six districts of Cumbria. In the introduction to the book, James Putnam explains: "Sheepfolds are beautiful and graphic reminders of the days of early shepherding out on the hill, on common land."

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The book also includes a collection of fascinating works related in various ways to sheep, for example, this shot (part of an 8-part series called "Wool Throws") of Goldsworthy tossing wool fleece into the air.

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And these works in which Goldsworthy incorporated wet (and sometimes frozen) wool into the landscape.
 
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Ornament-Making with Leigh

Meet Leigh Radford, author of AlterKnits and One Skein, and learn to transform colorful roving into beautiful felted balls that can be joined together to create one-of-a-kind ornaments, garland, jewelry, or even a pincushion.

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Saturday, December 8th and Sunday, December 9th, 12:30 pm - 4:30 pm
Churchmouse Yarns & Teas
118 Madrone Lane
Bainbridge Island, WA; 206-780-2686

Thursday, December 13th, 6 pm - 9 pm
Close Knit
2140 NE Alberta Street
Portland, OR; 503-288-4568

 

 
(Photo of Leigh's ornaments from Handknit Holidays

I Love the Kids' Books

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Sometimes people ask me which of the STC Craft books I like best, a question I cannot answer. In part, this is because I need to be diplomatic. But, more than that, this is because I believe that each book is unique and special in its own way. It sounds sappy and maybe like a cop out to some people, but it's true.

 

 

KidsCrochet-200.jpgStill, there are a few books that I think are especially important, and those are the three books in our kids' crafting series--Kids' Embroidery by Kristin Nicholas, Kids Crochet by Kelli Ronci, and Kids Weaving by Sarah Swett. These books teach all of the basics and also a little bit about how crafting fits into cultural history.

 

 

KidsWeaving-200.jpgIf you know children who like to make things with their hands, I hope you will check out these books, and, if you have some extra time over the holidays, do some crafting together. I believe that when we teach kids these skills, we are giving them a gift that will last their entire lives (sappy but true, once again).


 

Meet Lynne Barr this Saturday, December 1

storefront1.jpgIf you're planning on being anywhere in or around Portland, Maine, on Saturday, I hope you'll stop by the KnitWit Yarn Shop and Cafe between noon and 2. Lynne Barr, author of Knitting New Scarves, will be there demonstrating some of the unconventional techniques she used to make the scarves in her book. She will have finished scarves to show as well Linked Rib, Twisted, and Drifting Pleats (shown below, left to right, and the in the gallery here) as WIP's so that knitters can try working on them--with her guidance--if they wish.


KnitWit Yarn Shop and Cafe
247A Congress St.
Portland, Maine
Saturday, December 1, noon-2pm

 

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If you are interested in checking out the knitalong for this book, click here or on the button at right. If you are interested in reading Grumperina's wonderful account of working on Drifting Pleats, click here.



Beyond the Obvious

I love being surprised by people and even objects. For example, I am always fascinated when someone who initially seems rather traditional or conventional begins to reveal extraordinary ideas, or when an object looks totally different from different perspectives.

 

Take this felt wall hanging with silk embroidery. When I first saw it I thought it was quite beautiful, reminiscent of other early 20th-century Central Asian wall hangings I have seen.

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Then when I saw this backing fabric (a printed cotton cloth from Russia), I was really surprised and fascinated. I never would have imagined the front and the back together.

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Now look at this  woman's robe. It's probably from Uzbekistan and dates back to the late 19th - early 20th century. And it's shown here inside out!  In Central Asia when this was made, it was customary to create solid-color silk robes and then line them with Russian cotton prints patchworked together. I love how extraordinary this robe is inside and out, and also the idea that the busiest and in some ways most complex part of it is actually kept rather private.

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So often we pay the most attention to what is obvious. Personally, I'm often more intrigued by what isn't.

 (All photos from Russian Textiles: Printed Cloths for the Bazaars of Central Asia. For more on this book, see this earlier post.)