Partying with Heather Ross

 

There are many things that author Heather Ross does well, and one of them is throwing a great party. To celebrate the release of her latest book, Heather Ross Prints, she decorated the rooftop of her apartment building to the nines, put out fabulous food and endless proseco, and managed to assemble the most wonderful and interesting people in the sewing and craft community (including Amy Sedaris!) in one little space. Throughout the night, Heather flitted about her party with a gracious, easy smile. Don't you love it when a hostess seems to be enjoying her own party?

But what I think Heather enjoyed most of all was signing copies of her book for guests. After months (nay, years!) of working on this book together behind closed doors, getting the finished product out into the world is pure bliss. But even better is getting to meet the people who love the book, have a chat with them, and dish about design and fabric and crafting in general...and this party was full of people who have lots to say on these subjects.

About mid-party, a thunderous storm passed over the city and we all ran inside to get out of the rain. Lucky for us, the party continued indoors where a giant Mac ran a slideshow of images from the book--the very Mac, in fact, where all of the prints and projects were designed!--and we could view a whole slew of projects that were on display. The party carried on well into the night, and in addition to the other photos shown here, the lovely Kollabora staffer Leslie Henkel even managed to get a few group photos (that's assistant editor Cristina Garces on the left, artist Katy Tanis next to her, and Heather and I on the right...don't we look oddly like sisters?)

After all of that work, it was great to sit back and enjoy the moment. Congratulations on a job well done, Heather! 

To see projects from Heather Ross Prints in person, stop by the Kollabora booth at the Maker Faire this weekend; they'll also have copies of the book to buy if you want to pick one up.

Happy National Sewing Month!

This September marks the 30th anniversary of National Sewing Month! Even though we’re at the tail end of things, that’s no reason not to join in the celebration. Whether you’ve been meaning to learn or have made stitching a part of your daily life, we have just the books to get you on your way!

If you want to learn the essentials:

 

If you prefer sewing sans machine:

 

 

 

 

 

 

 

 

 

If you're ready for a wardrobe update:

 

 

 

 

 

 

 

 

 

 

If you love quilting with style:

 

 

 

 

 

 

 

 

 

 

If you want to sew for the little ones:

 

 

 

 

 

 

 

 

 

 

 

For more book suggestions and a double dose of project inspiration, head on over to our Pinterest boards to get your creative juices flowing!

 

We Love Parties!

It's launch party season over here at STC Craft! To kick things off,  last Saturday we celebrated the release of Gertie's New Book for Better Sewing. The party was held at The Sewing Studio in Chelsea, and what else would you expect author Gretchen Hirsch to wear than the epic Strapless Party Dress from her book? Just look at the glamourous way the dress poofed up around Gretchen as she enjoyed a well-deserved piece of cake!

Of course, other finished garments from the book were on hand for our viewing pleasure (on dress forms--not all on Gertie), and it was quite a treat to get to see the garments in person. I loved being able to look at them inside and out and see the fine craftsmanship. Those bound buttonholes are a sight to behold! And this perfectly tied bow-tie was rather impressive, as well.

Over the course of the night, Gretchen signed books by the moody lights of the sewing machines scattered about the studio, and there was a general feeling of revelry in the air. Thanks so much to all of the companies who came together to throw such a wonderful party: The Sewing Studio, Kollabora, Creative Bug, and Coats and Clark. A great time was had by all! And we couldn't be prouder to see this book go out into the world and into the hands of so many fabulous sewists.

To see more photos of this super-fun launch party, be sure to check out this post from Kollabora, and this post on the Creative Bug blog.

Next up...all of us at STC Craft will be picking out our party dresses for the Heather Ross Prints launch party this weekend. I wish I had time to make myself a Strapless Party Dress like Gretchen's!

 

Fall Book Galleries Are Here!

Heather Ross Prints by Heather RossI’m still a bit stricken by the things that count as “work” here, and my recent stint choosing images from our fall books to populate our galleries was no exception. While there are certainly worse ways to spend an afternoon than thumbing through new advance copies, picking the loveliest images from a group of extremely lovely images is more difficult than you would think!

Gertie's New Book for Better Sewing by Gretchen HirschIn addition to choosing eye-catching photos and illustrations, it was important to cull a good variety of projects. Our fall list is so dynamic, and we wanted to make sure we really showcased each book’s scope, without showing so much that we risked dampening the excitement of discovery when the real book was flipped through for the very first time.

Knitting from the Center Out by Daniel YuhasThis process really allowed me to get to know these books inside and out (since the writing and editing process had been completed before I began working here) and think strategically about why I liked certain aspects of each. After all, we’re these books’ first champions, and it’s important to be able to articulate that!

Comfort Knitting & Crochet: Babies & Toddlers by Norah Gaughan and the Berroco Design TeamWhether you fancy outfitting yourself in a vintage modern wardrobe or your home in whimsical illustrations,  knitting and crocheting things for all of the cute babies (or adults) in your life, or merely want to acquaint yourself with the life of one of quilting’s greats, there’s a little bit for everyone. So why don’t you take a peek, and leave a comment telling us which images captivate you!

Kaffe Fassett: Dreaming in Color by Kaffe Fassett

Cristina at STC Craft!

Hello! You may have noticed a new byline here on the blog lately, and I thought it time to introduce myself. I’m Cristina Garces, and I’m STC Craft’s new editorial assistant/avid crocheter/spray paint enthusiast.

My pup, Chuleta, often enjoys the fruits of my labor.

Although my most recent professional pursuits have landed squarely in the academic realm, somewhat unbeknownst to me I had been harboring a penchant for creating. It’s not like there weren’t indicators: my emergency road kit was comprised entirely of craft supplies, I carried a small glue gun in my purse for crafting on the fly, and before I ever imagined working here, I would spend many a Saturday afternoon consumed by STC Craft’s captivatingly lovely books, woozy with the prospect of creating something beautiful. Now that I’ve legitimized my fandom, I am so excited to help create the books I used to daydream about, working with people whose talents I’ve admired both as an ardent crafter and an all-around lover of pretty things.

It’s rare to have your interests and responsibilities commingle so serendipitously, and I get itchy fingers just flipping through our books. As sad as I am about summer (my favorite season) drawing to a close, I’m pacifying myself by bookmarking fall projects to try (needless to say, I’m running low on Post-its!).

Is there a better way to welcome the season than with these fun (and easy!) tie-dye tights from The Bust DIY Guide to Life?

As the days get cooler, my need for a mid-afternoon tea fix is at an all-time high. This cute Songbird Mug Cozy and Coaster from Kata Golda’s Hand-Stitched Felt is definitely a necessity:

I would love to spend crisp evenings on my fire escape working on the Bright Stripes Blanket from More Last-Minute Knitted Gifts (a perfect project for a novice knitter, like myself!):

 

I could, of course, go on and on, so stay tuned: I can’t wait to begin sharing my projects, as well as insight and updates from the wonderful world of craft book publishing with you!

Calling all Sewists: Celebrate Gertie's Book, Support Pets in Need

What’s more exciting than the imminent publication of Gertie’s New Book for Better Sewing? Gertie’s new book… plus puppies! To celebrate the book’s release, Gertie is partnering with Pets Alive, the shelter where she adopted her seriously cute pup, Rosie, to host a drive for much-needed sewn items from the shelter’s wish list. Starting this week, you can head on over to her blog to view tutorials for each project, beginning with the “adopt me” kerchief!

Our furry adopted pals are near and dear to our hearts, and we'll be tagging our projects on Twitter and Instagram with #gertiesnewbook. Join us—we'd love to see what you create!

Cozy Up and Craft with a Creativebug Giveaway!

UPDATE: We have a winner! Congratulations to Tina R.!

We here at STC Craft are often struck by the impulse to start a new project in the wee hours of the morning, but that thrill quickly tempers with the realization that surprisingly few instructors offer classes at midnight. Enter Creativebug, an innovative online learning site launched just a few months ago. If you, like us, are the type of people who want to learn embroidery techniques right this moment but don’t feel like leaving the comfort of your cozy knitted slippers, then Creativebug’s all-star roster of instructors—STC Craft favorites Natalie Chanin, Liesl Gibson, Heather Ross, and Kelly Wilkinson among them—are at the ready with project ideas, guidance, and creative inspiration via their video workshops. Whether you’re in the market to enhance your sewing know-how by learning to make your own patterns, or have a hankering to dip your toes into something new like bookbinding or screenprinting, Creativebug offers options for well-seasoned and beginner crafters alike.

Only have a quick half hour to spend on creative pursuits? Many instructors post projects that can be completed in an afternoon or weekend, and each workshop is broken down into manageable segments, making it easy to stop part-way through. When you’re ready to sneak away for another round of creating, your workshop picks up right where you left off. Once you become a member, you have unlimited access to as many video workshops as you can consume, a steal at $25 a month (even less if you sign up for 3 or 6 months at a time). Creativebug also believes in giving back: a percentage of each monthly subscription goes to non-profit art programs across the country to provide affordable space, supplies, and education for future legions of would-be crafters.

If you’re thinking Sign me up! then good news—we have a three-month Creativebug subscription to give away to one lucky reader! To enter, leave a comment letting us know what new skill YOU would be excited to learn (or hone) from Creativebug’s offerings by August 20th at 1 PM EST. One winner will be chosen at random.

To find out more about Creativebug, visit their site and blog.

Click here for official rules.

Behind the Scenes: The Knitted Slipper Book

We recently had an STC Craft first: a photoshoot in Asia! We feel so global chic. Mika Nakanishi photographed The Knitted Slipper Book by Katie Startzman, coming out in fall 2013,  in Tokyo. Our fabulous graphic desiger, Miao Wang, sent us some Instagram updates directly from the studio.

Even though we’re having a heat wave here, don’t these cozy slippers still look tempting? (And what about that baby?!)

I love how the weathered interiors of the photo studio create a contrast to the colorful footwear.

These bright blue ballet slippers are adorable. (And how about those striped tights?)

And what a gorgeous group of models.

A brilliant splash of color brightens up concrete walls.

Mika checks some settings while a little model patiently waits.

I can already hear the requests for these animal slippers in adult sizes.

How do we say "We love it!" in Japanese?

QuiltCon Here We Come

2013 will see a hallmark event in the craft world: QuiltCon, the inaugural conference and show of the Modern Quilt Guild. The event will be held in Austin, Texas, from February 21-24. While there are many wonderful quilting events out there, this will be the first to focus on “modern quilting.”

Today QuiltCon released its catalog, and it's filled with exciting events and workshops. Click here to check it out. Although you can't officially register until August, from what we are hearing anticipation is very high so it's a good idea to sketch out your plans now (How about meeting up with quilting friends from around the country for four days of fun and learning?) and then sign up as soon as registration opens (and before the classes and events you're most excited about sell out).

 

We're thrilled to report that Denyse Schmidt, author of the STC Craft book Denyse Schmidt: Modern Quilts, Traditional Inspiration, will be the keynote speaker. Denyse will also be teaching workshops and presenting a special exhibition of her gorgeous quilts. STC Craft publishing director Melanie Falick will be speaking on a panel about getting your work published.

Be sure to check out the QuiltCon website if you’re interested. Hope to see you in Austin!

Pottery Class - Part 2

About two months ago, I left the safety of my orderly desk and ventured into a cermics studio for the first time, determined to learn the craft of turning clay into tableware. It's an art form that I have long admired, but the opportunity to learn how to do it never presented itself...that is, until I started working on Simon Leach's Pottery Handbook (a comprehensive guide for making wheel-thrown pottery, which we're editing now and planning to publish in Spring 2013). Now that I've completed my beginner's course, I can attest to the fact that a lot happens to clay on its way to becoming a pot: After its first spin around the wheel, the pot is deemed a "keeper" or a "do-over." If it's a keeper, then you set the pot under plastic for a few days or a week until it has firmed up and dried out a bit, at which point you put it back on the wheel and trim away excess clay, carving the bottom into a delightful shape. The pot is then bisque-fired in a kiln (which is sort of like prebaking a dough), and then it gets dipped in glaze and fired at super-high heat in a kiln, and this is where the glaze turns to glass, coating your creations in the most fascinating ways.

See how much I've learned?

I must be honest--I didn't know how much I would love seeing the finished product. As you may recall from my first post, as a beginner I was happy just to see the wet clay become a somewhat symmetrical shape. But the first time I saw my clunky little freshly glazed pots, I breathed out a sigh of wonder. Oh, would you look at that glossy finish!, I thought, when I first saw the little blue bowl above. Or, when looking at the bowl below: How fascinating that the turquoise came out so matte, with so much gray and deep navy blue...

My proudest achievement (so far, anyway) has been the little creamer below. When I first threw this pot, I had in mind that it would be a little bud vase, but then I looked at its rim and thought, if I squeezed the clay just so, I could create a spout. (For the record, the act of creating that spout required a fair bit of courage since it was a nice bud vase as it was, and some things really are better left alone.) But now that it's glazed, I can't imagine it any other way.

Admittedly, I seem to have a fetish for finger bowls, and my favored palette appears to be distinctly Mediterranean. I supposed it's a good thing I love olives and roasted almonds, since it looks like I'll be serving a lot of these at my house! And yes, it's true that almost every one of my pots is wonky, but that doesn't bother me too much. In fact, I now look at the ceramics sections in stores and cannot believe that there are potters out there who can throw tableware so consistently. Someday, I think, if I keep practicing, I might be able to do the same. But for now, I'm thrilled that I have challenged myself to learn something new, and I have the good fortune of being taught by and working with some of the best potters in the world as we develop what will truly be an amazing pottery book. And finally, I hope that this post inspires you to try your hand at something new--until you try, you'll never know what exciting, wonderful, and wonky creations will spring forth from your own two hands. What is it that you have always wanted to learn? Please share in the comments section below!

Behind the Scenes: Choosing a Cover for Modern Quilts, Traditional Inspiration

The title of Denyse Schmidt’s Modern Quilts, Traditional Inspiration perfectly expresses the book’s aim: to explore the traditional roots of a gorgeous collection of modern quilts. When we were deciding on a cover for the book, we knew we wanted this melding of modern and traditional to come across loud and clear.

Throughout the book, John Gruen’s beautiful photographs show Denyse’s quilts in contemporary interior settings, disputing the notion that quilts make an old-fashioned statement. So our graphic designer, Brooke Hellewell Reynolds, started our cover experiments with a simple and lovely photo of the Shoeman’s Puzzle quilt in a clean setting.

It’s a bit quiet, which is part of its appeal, but it doesn’t have the star power necessary for a cover. Luckily, it’s pretty and soothing vibe worked perfectly for the back cover of the book!

Denyse herself steered us in the right direction. She sketched up a vision she had: a super close-up photo of a quilt, stripped bare of the interior settings. 

Here are Sawtooth Stripe and Irish Chain. We were getting warmer!

 

Ocean Waves is a quilt that many pick as their favorite from the book. Unfortunately, there's no room for type!

The winner: Courthouse Steps. The diagonal design gave us both intense color and clean white space. Paired with the modern type, it looks graphic and fresh. But the blown-up stitches remind us of quilting’s traditional roots.

What do you think? Is the final cover your favorite?

Behind the Scenes on The Shape of Knitting Photo Shoot (plus Interview with photographer Thayer Gowdy)

Thayer (right) and stylist Karen Schaupeter on the photo set for The Shape of Knitting

Thayer Gowdy is a superstar at STC Craft. She’s an incredibly talented photographer who has shot a whopping 11 of our books, including Knitting Nature, The Repurposed Library, Printing By Hand, Reversible Knitting, and many more. I recently got to interview Thayer after she sent us some fabulous behind-the-scenes shots from Lynne Barr’s upcoming book, The Shape of Knitting (to be published on our Spring 2013 list). Read on for Thayer’s take on working on craft books, spontaneity on set, and incorporating confetti (lots of it!) into your life.

What was the theme of The Shape of Knitting shoot and how did you decide on it? Did the fact that you shot Lynne Barr's previous book--Reversible Knitting--affect any of your choices?

The theme was fun and chic and colorful, but also very clean. I’ve also been addicted to confetti lately, so that was a huge part of it! We had so much confetti; it was crazy. Reversible Knitting was a bit quiet and we shot it in a studio so it was very clean. I wanted to keep that thread for The Shape of Knitting, so we shot it in a studio again for a sophisticated look, but I also wanted to make it more colorful and playful.

 

  

You've shot quite a number of craft books for STC Craft/Abrams. What do you like best about these projects? What are some of your favorite memories from these shoots?

I love the creativity involved. Melanie gives us a lot of freedom and says “go for it.” I also love working as a team with stylist Karen Schaupeter. We come up with a vision, do research, and work together on the imagery. It’s all about creativity.

  

One of my favorite memories is when we shot the book The Repurposed Library. We shot the book in real homes that belonged to people I found online. One snowy day we ended up in the home of a retired writer and his wife, a children’s book illustrator. They made us a huge feast for lunch, including homemade soup. It was so welcoming. Most of my favorite memories come from people we meet along the way like that.

 

You seem to capture so many spontaneous moments. How do you encourage that spontaneity on set?

You have to leave room for things to happen. I like to keep the energy fun and playful, so people feel they can be spontaneous. It’s important to leave room for curiosity rather than trying to control things too much.

 

You shoot all over the world. What are some of your favorite places? 

Bali is my favorite place to shoot. It’s a melding of cultures, and it’s so visual. But it’s all the smells, the scents, the sights. Everything combines to create a beautiful sensory experience.

 

What do you like to do when you're not shooting?

I love to surf, and I’m about to plant a vegetable garden, which is really exciting. I love to travel; I can’t get enough of seeing new places. My boyfriend and I just got back from Mexico, and we’re excited to try making piñatas.

Which means you can use more confetti!

Exactly! I won’t be done with confetti any time soon.

 

 

Moving Past "Not Your Grandmother's Knitting"

 

Author Joan McGowan-Michael's mother, who taught her how to knit (photo from the book My Grandmother's Knitting)

After I posted It’s Not Your Grandmother’s Crafting (or Is It?), I was prepared to get impassioned responses. But I wasn’t as prepared for the sheer knowledge of history, marketing trends, and feminism that was brought to the table. Yet again, I am amazed at the intellect and insight of crafters—into all aspects of life. My post barely scratched the surface of it all! So, to recap, I thought I’d break down some of the most-discussed issues.

Age and Gender

On the surface, the most offensive thing about “Not Your Grandmother’s Knitting” is its implied ageism and sexism. We often see an “insinuated sneer” towards women’s skills, so denigrating our grandmothers’ knitting is a touchy subject. Couple that with the fact that our culture has a huge obsession with youth, proverbially tossing older women to the side, and this kind of phrase does more harm than good in its intended audience.

Lazy Marketing

Hey, I learned something!  Oldsmobile gets the credit for coining the “Not Your” turn of phrase in the 1980s with “Not Your Father’s Oldsmobile.” Since then, it’s become part of our lexicon. And, let’s face it, Don Draper would call this very lazy copywriting. (Remember his reaction to “The cure for the common breakfast cereal”?) For marketers, it’s the easiest way to say “Hey, this this is super hip and cool!” which, when you put it that way, doesn’t sound hip and cool. Some astute readers pointed out that this is basically your father’s marketing campaign, which is as ironic as it gets.

Consumerism

Well, this goes hand in hand with marketing. The whole idea is to sell something as novel, and therefore necessary. An “out with the old, in with the new’’ mentality. But as a culture obsessed with material goods, this mentality just feeds thoughtless consumerism.

Youth Culture

Once again, we return to Mad Men. At this point in the show, the old guard is starting to look a little, well, old. The “Youthquake” of the 60s has corporations turning its eye to what the kids what, i.e, whatever is hip and new. Advertising has never really let go of this youth obsession, hence the perennial popularity of “Not Your Grandma’s . . . .”

Sex

Several commenters pointed out that a label of “not your grandma’s knitting” connoted for them risqué, NSFW patterns. Which is again ironic, seeing as many current grandmothers came of age in the “post-pill/pre-AIDS” era (this is my new favorite phrase). Basically, some grandmothers could tell us things that would put our knitted g-strings to shame.

Trends

Some readers felt that there was a point in the mid 20th century when knitting did indeed turn ugly. Acrylic tissue box cozies, that sort of thing. If you’re in your 20s or 30s, perhaps this is your impression of knitting, because that’s the type of knitting your grandmother might have done. In defense of “Not Your Grandmother’s Knitting,” maybe the phrase gave knitting the fresh face it needed to interest a new generation. Of course, this is all trend-based: our granddaughters could think the Stitch 'N' Bitch generation of knitting is ugly themselves. And so trends go!

Family Bonds

The overwhelming theme in the responses was personal family history. I loved reading the warm memories of everyone’s Nanas. Yet another reader pointed out that most young knitters she knows learned how to knit from the internet, not from family members. For what it’s worth—I learned to knit from a lady in a yarn shop, and then supplemented my knowledge with the Stitch ‘N’ Bitch books. However, it’s worth noting that the medium for learning (whether in person or through the internet or a book) doesn’t change the skills at hand. Knitting is knitting. The woman at the yarn shop probably learned from her grandmother or mother, and Debbie Stoller (author of Stitch ‘N’ Bitch) writes often of the knitting tradition in her family. So the common bond remains.

The Next Generation of Crafters

To wrap all of this up, I wonder how we should present knitting (and crafting in general) to the next generation. It’s clear that the phrase “Not Your Grandmother’s Knitting” needs to go. But what should replace it? What do you think is the best way to appeal to the next generation?

P.S. While we're here and talking about grandmothers and mothers, go check out our Mother's Day book giveaway (see below)!

Mother's Day Books & Giveaway!

 Photo by Ericka McConnell from Weekend Knitting

If you ask most moms what they want for Mother's Day, they will most likely request a day of ultimate relaxation. But if you ask moms who are crafters what they want for Mother's Day, chances are they will want something that involves both relaxation and crafting--a concept that we fully endorse!

Most of us at STC Craft come from a crafty lineage, and I'd say a healthy percentage of our authors first learned their amazing skills from their mothers. So when we started thinking about gifts to give our moms for Mother's Day, we got to wondering--if we had to pick one STC Craft book to give to our moms, which one would it be? We posed this question to several of our STC Craft authors and staff, and we loved hearing the stories about why each person thinks their mom would enjoy a particular book. But we don't want to stop there--we want to hear from you, too! Leave a comment telling us which STC Craft book you would pick for your mom and why, and if your name is picked, we'll send your mom a copy of the book you've chosen. To enter the giveaway, leave your comment before Friday, May 11 at noon EST.

Click here for full official rules.

Michelle Inciarrano and Katy Maslow, authors of Tiny World Terrariums, say:

The BUST DIY Guide to Life! As regular sellers at the BUST Craftacular gift fairs in NYC, we're very familiar with their magazine and mission. We fully approve! And Katy's mom, being a very crafty lady with a love of DIY, would totally enjoy a book full of inspiring ideas for a day of handmade, homespun fun.

 

   
Gretchen Hirsch, author of the forthcoming Gertie's New Book for Better Sewing, says:

I would definitely give my mom Denyse Schmidt's new book, Modern Quilts, Traditional Inspiration. My mother is an avid (and award-winning!) quilter, and I know she would love the gorgeous inspirational photographs and designs.

   

Liesl Gibson, author of Oliver + S, says:

My mom is a fantastic seamstress (both machine and hand stitching), and she’s sewn for me and my four sisters all our lives. Now that she’s retired and has a little more time to sew for herself (and for fun), I think she’ll enjoy Alabama Studio Sewing + Design and all of Natalie’s wonderful projects and techniques. I hope she’ll make something for herself and will find lots of inspiration from the book. Plus, my mom and Natalie share a similar quiet, thoughtful approach to life. I think they would get along really well if they met!

   

Melanie Falick says:

My first thought was to choose Alabama Studio Sewing + Design by Natalie Chanin for my mom because she's already made several pieces of clothing from Natalie's other books and I think this one would inspire her to try more techniques. But this is a selfish choice since she makes these clothes for me (making me feel incredibly lucky). So, on second thought, I'm going to choose Stitch Magic by Alison Reid. Maybe Mom will be inspired to use some of the beautiful fabric manipulation techniques in that book to sew pillows or curtains or a new bedspread for her house. I think she might like the cushion covers in the Pleating chapter for her living room or the bed throw in the Folded Shapes for her bedroom. When we're both making projects, we always have something interesting to talk about. 

   

STC Craft marketing manager Ellie Levine and STC Craft senior editor Liana Allday both picked Weekend Handmade.

Ellie says: The first weekend that feels like spring, you'll find my mom out in the garden, weeding, planting, and plotting new ways to make the backyard beautiful. When I visit my parents, the first thing I do is take a tour of her latest updates to the landscape, and I can always count on a beautiful flower arrangement on her kitchen table. My mom would adore Kelly Wilkinson's Weekend Handmade: the chapter called "Grow" presents projects inspired by gardens, fields and farmers' markets—three of my mom's favorite things. The Pressed Flower Luminaria, Botanical Note Cards, and irresistible Handmade Labels would all be perfect DIYs for us to create together on a sunny afternoon.

Liana says: My mom is a lifelong crafter, and she is constantly wandering between decoupage, embroidery, gardening, watercolor, and anything else that catches her fancy. For those reasons, I pick Weekend Handmade. Not only is Kelly Wilkinson's California aesthetic a perfect match for my mom's sunny Californian style, but just like my mom, the book wanders around from craft to craft in the most delightful way.

Gertie at STC Craft: It's Not Your Grandma's Crafting (Or Is it?)

 

Hi everyone, I'm back! I got a little bogged down in other work for awhile (including finishing my book!) but I'm back to posting here on a regular basis (I don't want to make any promises that I can't keep so I'll keep it a little vague). I thought I'd jump back in with a discussion of the generational aspects of crafting. I know there are strong opinions on this matter, so I hope we can have a spirited conversation here!

It’s not news that there’s been a resurgence of young women getting involved in crafting for the last decade or so. (I just turned 33 so I feel like I'm smack dab in the middle of the whole thing) Hip knitting books, tattoo-style embroidery kits, and sewing patterns by Project Runway stars all speak to a new generation of DIYer. My personal blog has resonated with lots of twenty-something women, and if I can get them to start sewing, then I’m happy. But one thing bothers me about the young crafting movement: namely, the “it’s not your grandma’s sewing/knitting/embroidering!” mentality and marketing strategy. Because, well, it is your grandmother’s sewing, knitting, or embroidering. (And because I work with vintage sewing patterns and books, this is quite literal to me.)

Whether you’re knitting tea cozies or a skull motif sweater, you’re using the skills that have been passed down among generations of women. Crafting may have gotten a hip makeover, but there’s nothing new when it comes to hand crafting technique—and we have our grandmothers to thank for sharing these skills. Also, we have a responsibility to pass them on to the next generation ourselves. (I’m sure our granddaughters will think skull sweaters are so 30 years ago!)

But perhaps this distancing of the older generation is what it takes to get the young folk interested in crafting. I’ll readily admit to sometimes being drawn to hipster embroidery transfers and other products marketed to the under-35 demographic. But there must be a way to draw in that demographic without alienating our grandmother’s generation.  My Grandmother’s Knitting by Larissa Brown is a great example of this concept at work: it’s a collection of stories about the tradition of knitting in families, paired with patterns that appeal to the modern knitter.

Since we’re coming up to Mother’s Day, now seems like an appropriate time for this discussion. What do you think of this issue? Do slogans like “it’s not your grandmother’s knitting!” bother you? Or do you think it’s a necessary step forward for the craft movement? Please share!

 

Pottery for Beginners: Liana is at the Wheel!

A few years ago, one of our freelance graphic designers asked me if I had ever heard of the potter Simon Leach. Being a devoted fiber arts nerd, I had never wetted my hands with clay—not even in high school or college art classes—and so naturally I had never heard of Simon. But after she showed me a few of his YouTube videos, I quickly saw why thousands of potters were viewing his basic pottery lessons over and over: Simon Leach is a fantastic pottery teacher.

After roughly a year’s worth of conversations, Simon committed to making a pottery book with us, and we're thrilled that his book is on our Spring 2013 list. Pottery is a brand new category for STC Craft. As many of you know, we started out in 2003 primarily publishing knitting books, and then moved into sewing and quilting. Since then, we’ve branched out into printing, paper crafts, and even terrariums, but a large, comprehensive pottery book is new and exciting territory for us. And because it’s nearly impossible to edit a craft book without first understanding the craft, we decided that I really ought to get my hands dirty and take some pottery lessons

 In most pottery books instructions for throwing pots are broken down into a series of subtle hand movements—the left hand centers the clay on the wheel, the right hand lifts the clay into a cone, the middle and ring finger drill a hole into the center of the cone, and then the fingers pull outward to create walls and open the vessel. For each of these steps, there are accompanying how-to photos, and so—as an editor who had never touched clay before—I felt oddly smug reading through the instructions, thinking well this all makes perfect sense, or well that doesn’t seem so hard. But it wasn’t until I sat down at the wheel that I really understood what it takes to put the practice into action.

My first class was three weeks ago, and I must confess, I am not yet an expert potter. Shocking, I know! Oh, it’s true, I walked into that first class harboring some elaborate dreams that I would be a natural, cranking out perfect, delicate teacups every 15 minutes. But those subtle hand movements were a little trickier to put into practice than they seemed. Despite the initial challenges of my first class, I think you can tell from the photo above that I was having an awfully good time.

Truth be told, as a crafty girl through and through, I love the moment when you really gain respect for a craft. Not to say I didn’t respect pottery before I sat down at the wheel, but I do not think that I appreciated the subtle skill involved, nor did I understand how crucial the role of teacher is in this craft. Without the teacher—whether it’s an in-person instructor, a YouTube video, or a how-to book—we would all be lost!

Each of our classes begins with a demonstration from our instructor, Aimee. Watching an experienced ceramicist throw a pot on the wheel is an absolutely mesmerizing sight. (For that reason alone, you should really go check out Simon Leach’s YouTube videos.) When Aimee does her demo, as shown above, all of the students huddle around her as she expertly guides the clay into the most pleasing shapes, and then uses her throwing stick to trim away the excess clay at the bottom, making a perfectly curved shape. While Aimee's pleasing vessels are the ultimate goal for us aspiring potters, my funky little cylinders and bowls are getting better and better each week. But best of all, my understanding of how to edit the forthcoming Simon Leach’s Pottery Handbook are infinitely improved. As I work my way through this 8-week course, I'll be sure to keep you all up-to-date on my latest creations--be they wonky, cute, or laughable! Ta-Da--one of my first creations!

UPPERCASE Magazine (with Subscription Giveaway!)

 

UPPERCASE Magazine is a stunning publication to behold. Published for "the creative and curious," UPPERCASE, now in its 13th issue, explores facets of craft, fashion, and design. And it's a bit of an enigma in a world of digital publications. The hefty quarterly publication is printed on lovely stock and is filled with inspiration and visual treats. There are very few ads, and the ones included (like STC Craft favorite Purl Soho) are as gorgeous as the magazine itself. You can find UPPERCASE in bookstores, but also in luxe shops like Anthropologie.

The journal is the vision of Janine Vangool, the publisher, editor, and designer. We're thrilled to have had a chance to ask Janine a few questions about UPPERCASE.

STC: How would you describe the philosophy of UPPERCASE? 

The tagline for UPPERCASE magazine is "for the creative and curious" and this really is the somewhat loose guideline to content appearing in the magazine. Though the content is based in graphic design, illustration,  and crafting as its starting points, with such a broad statement the articles can be quite eclectic. I think it is this curious bent that makes the magazine unique and hopefully surprising with each new issue.
We like to support the creative endeavours of our readership and therefore much of the written content, photography, and illustration is commissioned from our subscribers, open calls for submissions, and through connections made in our social media circles. I strongly believe that the magazine is a collaborative effort with its readership.
 

STC: How do you come up with a theme for each issue?
I categorize and archive all the submissions and suggestions that come my way, as well as favourite blog posts, Flickr images, Etsy shops, tweets... When you're looking at so many things, you start to see common threads and emerging themes. So an issue's themes are a combination of these discoveries and topics of interest to me personally.
STC: What are the benefits to publishing a paper magazine in a "digital age"?
The physical format of UPPERCASE magazine is part of its appeal—it is something that you hold, carry, collect, and keep. I always strive to make each issue an object that is well-crafted and has attention to detail in in its paper stock, special print processes, or formats... these are the things that make print so special. Unlike digital magazines, which I think promote attention deficit, when you're reading a paper magazine you have more commitment and a more intimate experience!
Though the expense to produce a paper magazine is considerable, I think my readership feels the same way I do and are willing to invest in a long-term relationship.
Obviously, what UPPERCASE is doing is very much in the line of how we think here at STC Craft! So we're thrilled that Janine generously offered a subscription giveaway to one lucky reader. To enter, just leave a comment here by April 30 at 1PM EST. One lucky winner will be chosen at random.
To read more about UPPERCASE, visit their blog and don't forget to subscribe!
Click here for full official rules.